The clay vessels of Bonnie Lynch and the pastel drawings of her sister, Linda, offered a second opportunity for paired solo exhibitions at the Fifth Floor Foundation. Bonnie Lynch’s monumental pit-fired forms, whose surfaces range from smooth sand to soft crosshatch, rested in the gallery like serene, meditative visitors from the West Texas landscape that the artist readily acknowledges as her primary inspiration. In contrast, Linda Lynch draws with swirling gestures, creating lines that float above and around dense cocoons of marks and deep, pitch-black fissures. Yet despite the artists’ stark differences in materials and means, they share a profound connection to their native landscape, which they represent through stark, unvarnished transitions between negative and positive space, darkness and light.