Born 1935 in Quincy, MA.
Lives and works in New York, NY.
Website: carlandre.net
Phillips Academy, Andover, MA
1941-1950
Quincy public schools, Quincy, MA
Sperone Westwater, New York, NY, Zig Zag
Barbara Mathes Gallery, New York, NY, The Minimalist Site
Thomas Rehbein Galerie, Köln, Germany, One More
Björn Ressle Gallery, New York, NY, Winter Salon
Jonathan Ferrara Gallery, New Orleans, LA, Just What Are They Saying...
Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, Nueva York: El papel de las últimas vanguardias
2008
Yvon Lambert, Paris, France, IRON
Esbjerg Kunstmuseum, Esbjerg, Denmark, One More
Leo Castelli, New York, NY, TEXT: Drawings
2007
Andrea Rosen, New York, NY, CARL ANDRE: Early Works on Paper 1958-1966
Kunst Station Sankt Peter, Cologne, Germany, Carl Andre: Hommage à Chillida
Galerie Tschudi, Glarus, Switzerland, CARL ANDRE: Poetry
Konrad Fischer Galerie, Berlin, Germany, Carl Andre. 40 Jahre bei Konrad Fischer
ACE Gallery, Beverly Hills, CA, Zinc
Paula Cooper Gallery, New York, NY, Timber Works/Copper Works
Cultureel Centrum Strombeek, Mechelen, Belgium, Commitment
Arnaud Lefebvre, Paris, France, 21 Years
Dominique Perrault Architecture, Paris, France, Oeuvres de la collection Billarant
Björn Ressle, New York, NY, 1 (One)
2006
Sadie Coles HQ, London, England, Sculpture
Paula Cooper Gallery, New York, NY, The sum of a number is half the sum of the square of the number plus the number itself
Galerie Arnaud Lefebvre, Paris, France, Poems
Galerie Tschudi, Glarus, Switzerland, Pythagorean sculptures
Konrad Fischer Galerie, Düsseldorf, Germany, passport & poetry
Kunsthaus Graz, Austria, Inventur: Werke aus der Sammlung Herbert
Konrad Fischer Galerie, Düsseldorf, Germany, Galerie mit Bleistift Fischer: Papierarbeiten aus den 60 er un 70 er jahren
Alfonso Artiaco Galleria, Napoli, Italy
Rieckhallen, Hamburger Bahnhof, Berlin, Germany, Von Carl Andre bis Bruce Nauman
Hamburger Bahnhof, Berlin, Germany, Fast nichts: Minimalistisch Werke aus der Friedrich Christian Flick Collection
Kunstmuseum Wolfsburg, Wolfsburg, Germany, Archisculpture
L&M Arts, New York, NY, Elemental Form
Kunstmuseum Winterthur, Switzerland, Plane/Figure: Amerikanische Kunst aus Schweize Privatsammlungen
Vivian Horan, New York, NY, Minimalism: On and Off Paper
Arnaud Lefebvre, Paris, France, Small Works
Palazzo delle arti, Napoli, Italy, DEDICA
2005
1000 eventi, Milano, Italy, Carl Andre
Kunsthalle Basel, Basel, Switzerland, Carl Andre—Black Wholes
Galerie Tschudi, Glarus, Switzerland
Stedelijk Museum, Amsterdam, The Netherlands, Leporello, Een reis door de collectie
Museum für Neue Kunst, Karlsruhe, Germany, EXIT—Aussteig aus dem Bild
2004
Sadie Coles HQ, London, England, BLACK WHITE CARBON TIN
Galerie Arnaud Lefebvre, Paris, France, CARL ANDRE
Paula Cooper Gallery, New York, NY, Carl Andre: Lament for the Children
Galerie Tschudi, Zuoz/Engadin, Switzerland, CARL ANDRE—Works from Glarus
Konrad Fischer Galerie, Düsseldorf, Germany, Carl Andre: Graphite
Cabinet des Estampes, Genève, Switzerland, Carl Andre—Passeport et Poésie 1960—2000
The Solomon R. Guggenheim Museum, New York, NY, Singular Forms (Sometimes Repeated): Art from 1951 to the Present
MOCA at California Plaza, Los Angeles, CA, A Minimal Future? Art as Object 1958-1968
Circulo de Bellas Artes, Madrid, Spain, La odisea americana 1945/1980
Los Angeles County Museum of Art, Los Angeles, CA, Beyond Geometry: Experiments in Form 1940s-70s
Stedelijk Museum, Amsterdam, The Netherlands, Shanghai Art Museum: Encounters with Modernism
Whitney Museum of American Art, New York, NY, Landscape
Museum of Contemporary Art San Diego, La Jolla, CA, Specific Objects: The Minimalist Influence
Fondation Beyeler, Basel, Switzerland, Archisculpture
2003
Galerie Arnaud Lefebvre, Paris, France, Carl Andre: America Drill
Geukens & De Vil Contemporary Art, Knokke-Zoute, Belgium, Carl Andre—New Work and presentation of the poem America Drill
Galerie Tschudi, Glarus, Switzerland, Thank You Glarus—Carl Andre
Konrad Fischer Galerie, Düsseldorf, Germany, Aluminum Squares
Gallery Yamaguchi, Osaka, Japan, Carl Andre: Poems, Yucatan 1972
Oklahoma City Museum of Art, Oklahoma City, OK, An International Legacy: Selections from Carnegie Museum of Art; traveled to Nevada Museum of Art, Reno, NV; Mobile Museum of Art, Mobile, AL
National Gallery of Canada, Halifax, Canada, 3 x 3—Flavin, Andre, Judd; traveled to Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver BC, Illingworth Kerr Gallery and Alberta College of Art & Design, Calgary, Canada
Walker Art Center, Minneapolis, MN, Elemental: Selections from the permanent collection
The Allen Memorial Art Museum, Oberlin, OH, From Modernism to the Contemporary, 1958-1999
Van Abbemuseum, Eindhoven, The Netherlands, From Broodthaers to Horn
Museu d'Art Contemporani de Barcelona, Barcelona, Spain, Arte y utopia—La acción restringida
2002
ACE Gallery, Los Angeles, CA, Carl Andre
Konrad Fischer Galerie, Düsseldorf, Germany, Carl Andre
Galerie Tschudi, Glarus, Switzerland, Carl Andre—Copper Cubes
Paula Cooper Gallery, New York, NY, Carl Andre—Ingots— Wood/Words/Aluminum
Gallery Side 2, Tokyo, Japan, Carl Andre, poems
Astrup Fearndkey Museet for Moderne Kunst, Oslo, Norway, Passenger: The Viewer as Participant
Stedelijk Museum, Amsterdam, The Netherlands, Conceptual Art 1965-1975 from Dutch and Belgian Collections
Museum of Contemporary Art of Georgia, Atlanta, GA, Artists of the Heath Gallery 1965-1998
Walker Art Center, Minneapolis, MN, Walk Around Time: Selections from the Permanent Collection
Musée d’art contemporain, Bordeaux, France, Les années 70: l’art en cause
Ecole Supérieure des Beaux-Arts de Nimes, France, Pièces de Collection / Oeuvres Contemporaines
2001
Open Air Museum Middelheim, Antwerpen, Belgium, CARL ANDRE, WORKS ON LAND
Sadie Coles, London, England, Carl Andre / Words & Small Fields
Kunsthalle Bielefeld, Germany, Art Works—Sammlung Marzona—Kunst um 1968
Hamburger Kunsthalle, Hamburg, Germany, Monet’s Legacy: Series—Order and Obsession
Espace de l’Art Concret, Château de Mouans-Sartoux, Côte d’Azur, France, à fur et à mesure: Collection Jean-Philippe & Françoise Billarant
Wadsworth Atheneum Museum of Art, Hartford, CT, noncomposition: fifteen case studies
Galleria d'Arte Moderna & Contemporanea, Palazzo Forti, Verona, Italy, La percezione dello spazio
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, Minimalismos: Un signo de los tiempos
MACBA, Barcelona, Spain, Antagonismos
2000
Whitechapel Art Gallery, London, England, Carl Andre
Galerie Tschudi, Glarus, Switzerland, Poetry / TryPoe
Paula Cooper Gallery, New York, NY, Carl Andre—Small Sculptures
Casino Luxembourg, Forum d'Art Contemporain, Luxembourg, Many Colored Objects…
Oriel Mostyn Gallery, Llandudno, Wales, Great Britain, Artworkers
Akira Ikeda Gallery, New York, NY, An Empty Space
Galerie Tschudi, Glarus, Switzerland, Carl Andre and Sol LeWitt
Guggenheim Museum, Bilbao, Spain, Changing Perceptions—The Panza Collection at the Guggenheim Museum Bilbao
1999
Yvon Lambert, Paris, France, Lament for the Children
Konrad Fischer Galerie, Düsseldorf, Germany, STILLANOVEL TRIALS— STILLANOVEL SYNOPSIS—STILLANOVEL EDITION
Neues Museum, Kunstsammlungen zu Weimar, Germany, Auffrischender Wind aus wechselnden Richtungen/International Avantgarde seit 1960, Die Sammlung Paul Maenz
Stamford Sculpture Walk ’99, Stamford, CT, Important Sculptors of the Late Twentieth Century
Modern Art Museum of Fort Worth, Fort Worth, TX, House of Sculpture
Museum für Gegenwartskunst, Basel, Switzerland, White Fire: Amerikanische Kunst 1959-1999 in Basel
Kunstmuseum Wolfsburg, Germany, Zeitgenössische Kunst seit 1968
Whitney Museum of American Art, New York, NY, The American Century: Part II
1998
Alfonso Artiaco, Pozzuoli, Napoli, Italy
Konrad Fischer Galerie, Düsseldorf, Germany, Western Red Cedar
Royal Botanic Garden, Edinburgh, UK, Carl Andre—New Work
Galerie Tanit, München, Germany, Carl Andre / Selected Works
Paula Cooper Gallery, New York, NY, Carl Andre—New Work
Galerie Tschudi, Glarus, Switzerland, Carl Andre
Sydney, Australia, Every Day: the 11th Biennale of Sydney
Van Abbemuseum Eindhoven, The Netherlands, A Choice from the Collection
Das Museum für Moderne Kunst, Frankfurt am Main, Germany, horizontal - vertikal
The Solomon R. Guggenheim Foundation, New York, NY, Rendezvous / Masterpieces from the Centre Georges Pompidou and The Guggenheim Museums
Inaugural exhibition at the Guggenheim Museum Bilbao, Spain, The Guggenheim Museums and the Art of this Century
Musée Royal de Mariemont, Belgium, Auguste Rodin
Centre de la Vieille Charité and MAC, galeries contemporaines des musées de Marseille, France, 50 espèces d’espaces
1997
Konrad Fischer Galerie, Düsseldorf, Germany, Carl Andre
ACE Gallery New York and ACE Gallery Los Angeles, Carl Andre
Galerie Arnaud Lefebvre, Paris, France, PASSPORT 1960 / YUCATAN 1972
Synagogue Stommeln, City of Pulheim/NRW, Germany, The Void Enclosed by the Squares of Three, Four, and Five
Busche Galerie, Berlin, Germany, Hexatins 1996
Galerie Tschudi, Glarus, Switzerland
M.A.C. Musée d’Art Contemporain at Musée Cantini, Marseille, France, CARL ANDRE Sculptor 1997
Centre de la Vieille Charité, Marseille, France, Carl Andre—Oeuvre Poétique
Paula Cooper Gallery, New York, NY, Typewriter Drawings 1963 and Blue Cut Trails 1963
Hamburg Deichtorhallen and Kunsthalle Hamburg, Germany, Sammlung Froehlich; traveled to Wien Bank Austria Kunstforum, Vienna, Austria
Palais des Beaux Arts, Brussels, Belgium, L’Art de Collectionner
Martin-Gropius-Bau, Berlin, Germany, Die Epoche der Moderne—Kunst im 20 Jahrhundert; traveled to London, Royal Academy of Arts, London, England
Museum Moderner Kunst Wien, Vienna, Austria, The View from Denver
Van Abbemuseum Eindhoven, The Netherlands, Sleeping Beauty
The Museum of Modern Art, New York, NY, On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection
Le Nouveau Musée/Institut FRAC Rhône-Alpes, Villeurbanne Cedex, France, Le Bel Aujourd’hui—Oeuvres d’une collection privée
1996
Krefeld Haus Lange & Haus Esters and Kunstmuseum Wolfsburg, Germany, Carl Andre Sculptor 1996—Krefeld at home / Wolfsburg at large
Galerie Arnaud Lefebvre, Paris, France, Carl Andre—Erik Satie—Constantin Brancusi
Museum of Modern Art, Oxford, England, Carl Andre Sculptor 1996
Second Floor Exhibition Space, Reykjavik, Iceland
Bonnefantenmuseum, Maastricht (Wiebengahal), The Netherlands, Carl Andre
Paul Cooper Gallery, New York, NY, Prospective Retrospective
Solomon R. Guggenheim Museum, New York, NY, Total Risk, Freedom, Discipline: Abstraction in the Twentieth Century
Koldo Mitxelena Kulturnea, San Sebastián, Spain, Minimal Art
MAC, galeries contemporaines des musées de Marseille, Marseille, France, Wide White Space—Une histoire de l’art des années 60/70
Musée d’Art Moderne et d’Art Contemporain, Nice, France, Chimériques polymères: Le Plastique dans l’Art du XXème Siècle
Tate Gallery, London, England, The Froehlich Collection
1995
Gagosian Gallery, Madison Avenue, New York, NY, Sand-Lime Instar
Paula Cooper Gallery, New York, NY, Carl Andre—Sculpture
Galerie Tschudi, Glarus, Switzerland, Pb Cu
Anthony d’Offay Gallery, London, England, Carl Andre—New Wood Works
Museum of Contemporary Art, Tokyo, Japan, Revolution: Art of the Sixties from Warhol to Beuys
Tel Aviv Museum of Art, Tel Aviv, Israel, A Passion for the New: New Art in Tel Aviv Collections
Van Abbemuseum Eindhoven, The Netherlands, Entr’Acte 4
Musée d'’Art Moderne de la Ville de Paris, ARC, Paris, France, Passions Privées
1994
Kölnischer Kunstverein, Köln, Germany, Words 1958-1972
Stedelijk Museum Amsterdam, Amsterdam, The Netherlands, WORDS—The Complete Poems
Konrad Fischer, Düsseldorf, Germany, Carl Andre
Malmö Konsthall, Malmö, Sweden, Till Brancusi
Kunstmuseum Wolfsburg, Germany, Tuning Up: Cue for a Collection in Wolfsburg
Museum für Gegenwartskunst, Basel, Switzerland, Zimmer, in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst
Musée d'Art Moderne Saint-Etienne, France, Art Américain: Les Années 60-70
Palais des Beaux-Arts, Brussels, Belgium, Wide White Space 1966-1976, traveled to Kunstmuseum Bonn, Germany, and MAC Marseille, France
1993
Julian Pretto Gallery, New York, NY, Carl Andre: Maze & Snares of Minimalism
Galerie Tschudi, Glarus, Switzerland, Carl Andre
Paula Cooper Gallery, New York, NY, Words 1960-1980
Museum Fridericianum, Kassel, Germany, Shapes and Positions
Martin-Gropius-Bau, Berlin, Germany, Amerikanische Kunst im 20 Jahrhundert; traveled to Royal Academy of Arts, London, England
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, The Collection
1992
Paula Cooper Gallery, New York, NY, Carl Andre—Manet Isobars
Galerie Plus-Kern, Brussels, Belgium, Carl Andre—Ten Sculptures in the Shape of a Pair
Julian Pretto Gallery, New York, Carl Andre—Recent Sculpture
Yvon Lambert, Paris, France, Carl Andre
Konrad Fischer, Düsseldorf, Germany, Carl Andre
Musée d'art moderne de la Communauté Urbaine de Lille, Villeneuve d'Ascq, France, Yvon Lambert Collection
Museum van Hedendaagse Kunst, Citadelpark, Gent, Belgium, Minima(a)l
Allen Memorial Art Museum, Oberlin College, Oberlin, OH, The Living Object: The Art Collection of Ellen H. Johnson
Kaiser-Wilhelm-Museum, Krefeld, Germany, Schwerpunkt Skulptur
Musée d'art moderne, Centre Georges Pompidou, Paris, France, Manifeste
Opening of the SoHo Branch of the Guggenheim Museum, New York, NY, From Brancusi to Bourgeois: Aspects of the Guggenheim Collection
Collecció d'Art Contemporani Fundació LA CAIXA, Barcelona, Spain, Tropismes
1991
Tate Gallery, London, England, Preview of Without Walls: Upholding the Bricks, film, Channel Four Television
Museum für Moderne Kunst at the Cloister of the Carmelites, Frankfurt am Main, Germany, Carl Andre—Extraneous Roots
Cleveland Center for Contemporary Art, Cleveland, OH, Carl Andre: Homage to Hollis Frampton
Vestsjaellands Kunstmuseum, Sorø, Denmark, Carl Andre—Skulptur & Poesi
Konrad Fischer, Düsseldorf, Germany, Coldrolled Primecouples
Anthony d’Offay, London, England, Bismuth Cadmium Indium
Albright-Knox Art Gallery, Buffalo, NY, Postwar Sculpture from the Collection
Museum Dhondt-Dhaenens, Belgium, Betekende Ruimte / Designated Space
The Bertha & Karl Leubsdorf Art Gallery, New York, NY, 8 Young Artists Then and Now (1964-1991)
The Addison Gallery of American Art, Phillips Academy, Andover, MA, American Abstraction at the Addison
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, Een keuze uit de eigen collecti minimale kunst uit de jaren zestig en zeventig
Kunsthalle der Hypo-Kulturstiftung München and Von der Heydt-Museum, Wuppertal, Germany, Denk-Bilder / Kunst der Gegenwart 1960-1990
Whitney Museum of American Art at Equitable Center, New York, NY, Immaterial Objects
Neues Museum Weserburg, Bremen, Germany, Sammlung Lafrenz
1990
Konrad Fischer, Düsseldorf, Germany
Plus-Kern Gallery, Brussels, Belgium
Paula Cooper Gallery, New York, NY
Städtische Kunsthalle Düsseldorf, Germany, and at Museum für Gestaltung, Zürich, Switzerland, Um 1968—Konkrete Utopien in Kunst und Gesellschaft
The Art Institute of Chicago, Chicago, IL, Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art
Nassau County Museum of Art, Roslyn Harbor, NY, Two Decades of American Art: The ‘60s & ‘70s
Musée d'Art Moderne de la Ville de Paris, Paris, France, Un Choix d’Art Minimal dans la Collection Panza
The National Museum of Art, Osaka, Japan, Minimal Art
1989
Galerie Daniel Templon, Paris, France
Anthony d’Offay, London, England, Six Sculptures
Paula Cooper Gallery, New York, NY, Words as Poems, Matter as Sculpture
Galería Edurne, Madrid, Spain, Brownian Stillness
Van Abbemuseum, Eindhoven, The Netherlands, Capita Selecta
Tate Gallery, Liverpool, England, Minimalism
Helsingin Taidehalli, Helsinki, Finland, Modern Masters ‘89
Rheinhallen der Kölner Messe, Köln, Germany, Bilderstreit
Whitney Museum of American Art, New York, NY, Immaterial Objects; traveled to North Carolina Museum of Art, Raleigh, NC; Albany Museum of Art, GA; and San José Museum of Art, San José, CA
1988
Palacio de Cristal, Madrid, Spain, traveled to Espacio Parque Pignatelli, Museum Pablo Gargallo, Zaragoza, Spain, Roaring Forties
Julian Pretto Gallery, New York, NY
Konrad Fischer, Düsseldorf, Germany
Yvon Lambert, Paris, France, Hearth
Plus-Kern, Brussels, Belgium
Jean Bernier, Athens, Greece
Centro de Arte Reina Sofía, Madrid, Spain, Arte Minimal, Coleccíon Panza
Rijksmuseum Kröller-Müller, Otterlo, The Netherlands, Opening of the Sculpture Park
Hamburger Bahnhof, Berlin, Germany, Zeitlos
Albright-Knox Gallery, Buffalo, New York, Abstraction Geometry Painting
Museum of Contemporary Art, Chicago, IL, Three Decades: The Oliver-Hoffmann Collection
DAAD Berlin, Germany, Balkon mit Fächer, traveled to DuMont Kunsthalle, Köln, Germany
Dallas Museum of Arts, Dallas, TX, Now/Then/Again
1987
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, simultaneous show with Haags Gemeentemuseum, Den Haag, The Netherlands
Museo d’Arte Contemporanea, Castello di Rivoli, Italy, Carl Andre—Sculture
Konrad Fischer, Düsseldorf, Germnay, Revel (for KF)
Art Gallery of Ontario, Toronto, Canada, Selection from the Roger and Myra Davidson Collection
Institute of Contemporary Art, University of Pennsylvania, PA, 1967: At the Crossroads
Dallas Museum of Art, Dallas, TX, A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, traveled to the National Gallery of Art, Washington, DC
Münster, Germany, Skulptur Projekte in Münster 1987
The Solomon R. Guggenheim Museum, New York, NY, Fifty Years of Collecting: An Anniversary Selection (Sculpture of the Modern Era)
Museo d'Arte Contemporanea del Castello di Rivoli, Torino, Italy, Standing Sculpture
1986
Plus-Kern, Brussels, Belgium, Petit Granit/Belgian Blue Limestone
Konrad Fischer, Düsseldorf, Germany, Belgian Blue Limestone
Fort Lauderdale Museum of Art, Fort Lauderdale, FL, An American Renaissance: Painting and Sculpture Since 1940
Le Nouveau Musée, Villeurbanne, France, Collection Souvenir
The Museum of Contemporary Art, Los Angeles, CA, The Barry Lowen Collection
Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France, Qu’est-ce que la sculpture moderne?
Ecole Régionale des Beaux-Arts Georges Pompidou, Dunkerque, France, Minimal et Conceptuel
Museum Wallraf-Richartz/Museum Ludwig, Köln, Germany, Europa-Amerika
Contemporary Painting and Sculpture Galleries, Museum of Modern Art, New York, NY
Musée d'Art Contemporain, Bordeaux, France, Art Minimal II
1985
Paula Cooper Gallery, New York, NY
Galerie Daniel Templon, Paris, France, Travertino
Konrad Fischer, Düsseldorf, Germany
Gian Enzo Sperone, Roma, Italy
Kunstraum München eV., München, Germany, Die Milchstrasse (La Voie Lactée/The Milky Way)
Saatchi Collection, London, England, The Saatchi Collection
Museum of Contemporary Art, Chicago, IL, Selection from the William J. Hokin Collection
Musée des Beaux Arts de Rennes, France, Sur/Exposition
Museum Haus Lange and Haus Esters, Krefeld, Germany, Dreissig Jahre durch die Kunst
Museum of Modern Art, New York, NY, Contrasts of Form: Geometric Abstract Art, 1910-1980
Musée d'Art Moderne de la Ville de Liège, Belgium, Ressemblances/Dissemblances
The Solomon R. Guggenheim Museum, New York, NY, Transformation in Sculpture
1984
Fine Arts Gallery, Broward Community College, Fort Lauderdale, FL
Richland College, Dallas, TX
Westfälischer Kunstverein, Münster, Germany, Der Frieden von Münster
Konrad Fischer, Düsseldorf, Germany
Galerie im Körnerpark (DAAD), Berlin, Germany
Plus-Kern, Brussels, Belgium
Galleria Primo Piano, Roma, Italy
Galerie Andre, Anselm Dreher, Berlin, Germany
Fine Arts Center Art Gallery, State University of New York at Stony Brook, NY
Paula Cooper Gallery, New York, NY and Leo Castelli Gallery, New York, NY, Artists Call Against U.S. Intervention in Central America
Kunstmuseum Winterthur, Switzerland, Une Collection Imaginaire
Stedelijk Museum, Amsterdam, The Netherlands, Collectie Becht
Merian-Park, Brüglingen/Basel, Switzerland, Skulptur im 20 Jahrhundert
Tate Gallery, London, England, American Art: Minimal Expression
Museum of Modern Art, Shiga, Japan, Development of Western Sculpture in the Modern Period
Hallen für Neue Kunst, Schaffhausen, Switzerland
Rijksmuseum Kröller-Müller, Otterlo, The Netherlands, Little Arena—Drawings and Sculptures from the Collection Adri, Martin and Geert-Jan Visser
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, L’architecte est absent: works from the collection of Annick and Anton Herbert
1983
Heath Gallery, Atlanta, GA, Sculpture 1983
Paula Cooper Gallery, New York, NY, For Eva Hesse
Flow Ace Gallery, Los Angeles, CA
Galerie Daniel Templon, Paris, France
Konrad Fischer, Zürich, Switzerland, Range Works
Galerie Plus-Kern, Brussels, Belgium, Fireworks
Le Nouveau Musée, Villeurbanne/Lyon, France
Le Coin du Miroir, Dijon, France
The Clocktower, The Institute for Art and Urban Resources, New York, NY
Whitney Museum of American Art, New York, NY, Minimalism to Expressionism: Painting and Sculpture from the Permanent Collection
Middelheim, The Netherlands, 17de Biennale voor Beeldhouwkunst
Museum Haus Lange and Museum Haus Esters, Krefeld, Germany, Das, was durch Darstellung einen Stillstand andeutet. Sammlung Reiner Speck.
Museum of Contemporary Art, Los Angeles, CA, The First Show: Painting and Sculpture from Eight Collections 1940-1980
The Art Museum of The Atheneum, Helsinki, Finland, Ars 83 Helsinki
1982
Konrad Fischer, Düsseldorf, Germany
David Bellman, Toronto, Canada, Toronto Works
Susan Caldwell Gallery, New York, NY
Alberta College of Art Gallery, Calgary, Canada
Lowe Art Museum, University of Miami, Coral Gables, FL
University of Wyoming, Laramie, WY
Colorado State University, Fort Collins, CO
Whitney Museum of American Art, Fairfield County, CT, Surveying the Seventies
Stedelijk Museum, Amsterdam, The Netherlands, ’60 ’80 Attitudes/Concepts/Images
Kassel, Germany, documenta 7
The Aldrich Museum of Contemporary Art, Ridgefield, CT, postMINIMALISM
Nationalgalerie, Berlin, Germany, Kunst wird Material
Whitney Museum of American Art, New York, NY, Minimalism x 4
Solomon R. Guggenheim Museum, New York, NY, The New York School: Four Decades
1981
Museum Haus Lange, Krefeld, Germany, House as Organ: Stops and Unstopped
Anthony d’Offay, London, England, Carl Andre, New Sculpture
Konrad Fischer, Zürich, Switzerland
Württembergischer Kunstverein, Stuttgart, Germany
Graeme Murray Gallery, Edinburgh, Scotland
Paula Cooper Gallery, New York, NY, Carl Andre, Donald Judd, Sol LeWitt
Susan Caldwell Gallery, New York, NY
Seagram Plaza, New York, NY
Rheinhallen Messegelände Köln, Germany, Westkunst
Fundacíon Juan March, Madrid, Spain, Minimal Art
1980
Institute of Contemporary Art, Boston, MA, Sculpture 1959-1977
Paula Cooper Gallery, New York, NY
Lopoukhine Nayduch Gallery, Boston, MA, Manet Series. In Memory of Thomas Morton
Konrad Fischer, Düsseldorf, Germany, Pair, Hearth
Ace Gallery, Venice, CA
Cornish Institute of Arts, Seattle, WA
David Bellman Gallery, Toronto, Canada
Portland State University, Portland, OR
Louisiana Museum of Modern Art, Humlebaek, Denmark, Andre, Dibbets, Long and Ryman
Wenkenpark, Riehen/Basel, Switzerland, Skulptur im 20 Jahrhundert
Westfälisches Landesmuseum, Münster, Germany and Kunsthaus Zürich, Switzerland, Reliefs—Formprobleme zwischen Malerei und Skulptur im 20 Jahrhundert
Hayward Gallery, London, England, Pier + Ocean; travels to: Otterlo, The Netherlands
The Aldrich Museum of Contemporary Art, Ridgefield, Ct, Sculptural Forms
Galleria Nazionale d’Arte Moderna, Rome, Italy, Carl Andre, Donald Judd, Robert Morris—Sculture Minimal
Kunstmuseum Düsseldorf, Germany, Minimal + Conceptual Art aus der Sammlung Panza; travels to: Museum für Gegenwartskunst, Basel, Switzerland
1979
Palais des Beaux-Arts, Brussels, Belgium, Wood
Glenbow Institute, Calgary, Alberta, Canada, Sculpture 1959-1977
ARC, Musée d'Art Moderne de la Ville de Paris, France, Sculptures en bois
University Art Museum, University of California, Berkeley, CA, Sculpture 1959-1977
Dallas Museum of Fine Arts, Dallas, TX, Sculpture 1959-1977
National Gallery of Canada, Ottawa, Canada
Reese Bullen Gallery, Humboldt State University, Arcata, CA
Musée d'Art Contemporain, Montreal, Canada, Sculpture 1959-1977
Dag Hammarskjöld Plaza Sculpture Garden, New York, NY
ACA Gallery SAIT, Calgary, Alberta, Canada
Bonnefantenmuseum, Maastricht, The Netherlands, On Walks and Travels
Institute of Contemporary Art, Boston, MA, The Reductive Object
The Aldrich Museum of Contemporary Art, Ridgefield, CT, The Minimal Tradition
Museum of Modern Art, New York, NY, Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art
Kunsthalle Bern, Switzerland, Skulptur: Matisse, Giacometti / Judd, Flavin, Andre, Long
1978
Laguna Gloria Art Museum, Austin, TX, Sculpture 1959-1977
The Contemporary Arts Center, Cincinnati, OH, Sculpture 1959-1977
Whitechapel Art Gallery, London, England, Sculpture 1959-1977
Ace Gallery, Vancouver, British Columbia, Canada
Albright-Knox Art Gallery, Buffalo, NY
Art Agency Co. Ltd., Tokyo, Japan
Pinacotheca Richmond Victoria, Melbourne, travelled to Newcastle Region Art Gallery, New Castle, New South Wales, Australia
Konrad Fischer, Düsseldorf, Germany
Ace Gallery, Venice, CA
The Art Institute of Chicago, Chicago, IL, Sculpture 1959-1977
Stedelijk Van Abbemuseum Eindhoven, The Netherlands, Wood
Sperone Westwater Fischer, New York, NY
Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, Germany, Aspekte der 60er Jahre
Stedelijk Museum, Amsterdam, The Netherlands, Door
Whitney Museum of American Art, New York, NY, American Art 1950 to the Present
Hartnell College Gallery, Salinas, CA, Selections: Historical and Contemporary Objects
La biennale de Venezia, Venice, Italy, From Nature to Art, from Art to Nature
1977
Otis Art Institute, Los Angeles, CA
Sperone Westwater Fischer, New York, NY
Joseloff Gallery, Hartford Art School, Hartford, CT
Nassau County Museum of Art, Roslyn, NY, Wood
Musée National d'Art Moderne, Centre Georges Pompidou, Paris, England, Paris—New York
Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany, Skulptur. Ausstellung in Münster
Museum of Contemporary Art, Chicago, IL, View of a Decade
Palais des Beaux Arts, Brussels, Belgium, American Art in Belgium
1976
John Weber Gallery, New York, NY, Wood and Metal Sculptures 1960-1975
Detroit Institute of the Arts, Detroit, MI, Prime Terrane
Ace Gallery, Venice, CA
Konrad Fischer, Düsseldorf, Germany, Neubrückwerk
Kabinett für Aktuelle Kunst, Bremerhaven, Germany, Fe Zn
Galerie Yvon Lambert, Paris, France, Copper Prime Couples
Minneapolis College of Art and Design, Minneapolis, MN
Davison Art Center, Wesleyan University, Middletown, CT
The Clocktower, New York, NY
John Weber Gallery, New York, NY
Barbara Cusack Gallery, Houston, TX
Institute for Art and Urban Resources, PS 1, Long Island City, NY, Rooms PS 1
Corcoran Gallery of Art, Washington, D.C., Carl Andre, Richard Long and Barry LeVa
Akademie der Künste, Berlin, Germany, New York-Downtown Manhattan: SoHo
Städtisches Museum, Mönchengladbach, Germany, Räume
Guggenheim Museum, New York, NY, Action and Reaction
The Museum of Modern Art, Oxford, England, Andre/Flavin/Judd/LeWitt
Städtische Kunsthalle Düsseldorf, Germany, ProspectRetrospect / Europa 1946-1976
1975
Kunsthalle Bern, Switzerland
Barbara Cusack Gallery, Houston, TX
Lisson Gallery, London, England
Galleria Gian Enzo Sperone, Palazzo del Drago, Roma, Italy
Daniel Weinberg Gallery, San Francisco, CA
Ace Gallery, Vancouver, British Columbia, Canada
John Weber Gallery, New York, NY
Sperone Westwater Fischer, New York, NY
Portland Art Museum, Portland, OR, Masterworks in Wood: The Twentieth Century
National Collection of Fine Arts, Washington, D.C., travelled to Cincinnati, OH, Sculpture: American Directions 1974-1975
Musée d'Ixelles, Brussels, Belgium, Je/Nous
1974
Wide White Space at Le Bailli, Brussels, Belgium
Wide White Space, Antwerpen, Belgium
John Weber Gallery, New York, NY
Konrad Fischer, Düsseldorf, Germany
Ace Gallery, Vancouver, British Columbia, Canada
Indianapolis Museum of Art, Indianapolis, IN, and the Taft Museum, Cincinnati, OH, Painting and Sculpture Today 1974
Royal College of Art, London, England, Sculpture Now: Dissolution or Redefinition
Staatsgalerie Stuttgart, Germany, Der Konstruktivismus und seine Nachfolge, Beispiele aus dem Bestand der Staatsgalerie Stuttgart und ihrer Graphischen Sammlung
Massachusetts Institute of Technology, Cambridge, MA, Interventions in Landscape
Kölnischer Kunstverein, Köln, Germany, Kunst über Kunst
The High Museum of Art, Atlanta, GA, The New Image
1973
Max Protetch Gallery, Washington, D.C.
Portland Center for the Visual Arts, Portland, OR, 144 Blocks and Stones. For Robert Smithson (1938-1973)
Addison Gallery of American Art, Andover, MA, Six Alloy Plains
Projects Series, The Museum of Modern Art, New York, NY, Waterbodies
Institute of Contemporary Art, Boston, MA
Thayer Academy, Braintree, MA
Konrad Fischer, Düsseldorf, Germany, Dipoles Al-Cu-Fe
John Weber Gallery, New York, NY
Galleria Gian Enzo Sperone, Torino, Italy
Forum für Aktuelle Kunst, Galerie Krinzinger, Innsbruck, Austria
Parcheggio di Villa Borghese, Roma, Italy, Contemporanea. Incontri Internationali d’Arte
The National Gallery of Victoria, Melbourne, traveled to Perth, Sydney, Adelaide, and Auckland, Australia, Some Recent American Art
Städtische Galerie im Lenbachhaus, München, Germany, Bilder, Objekte: Sammlung Herbig
Seattle Art Museum, WA, American Art: Third Quarter Century
1972
Janie C. Lee Gallery, Dallas, TX, Plains Cu Pb Mg Zn
Friends of Contemporary Art, Denver, CO
Konrad Fischer, Düsseldorf, Germany, Small Floor Pieces
Lisson Gallery, London, England
John Weber Gallery, New York, NY
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, Grids
Storm King Art Center, Mountainville, NY, Painting and Sculpture 1972
Albright-Knox Art Gallery, Buffalo, NY, Recent American Painting and Sculpture in the Albright-Knox Art Gallery
1971
Dwan Gallery, New York, NY
Wide White Space, Antwerpen, Belgium, Weathering Piece
The Saint Louis Art Museum, St. Louis, MO
Konrad Fischer, Düsseldorf, Germany, Four Meditations on the Year 1960
Locksley-Shea Gallery, Minneapolis, MN
Konrad Fischer, Düsseldorf, Germany
Galerie Yvon Lambert, Paris, France
Galerie Heiner Friedrich, München, Germany
Park Sonsbeek, Arnhem, The Netherlands, Sonsbeek ’71—Buiten de Perken
New Delhi, India, Second Indian Triennial
The Solomon R. Guggenheim Museum, New York, NY, Sixth Guggenheim International Exhibition
1970
The Solomon R. Guggenheim Museum, New York, NY
Ace Gallery, Venice, CA
Foundation Maeght, St. Paul-de-Vence, France, L’Art Vivant aux Etats-Unis
Tenth Biennale Tokyo, Tokyo Metropolitan Art Gallery, travelled to Kyoto and Nagoya, Japan, Between Man and Matter
Württembergischer Kunstverein, Stuttgart, Germany, Eisen- und Stahlplastik 1930-70
The Art Institute of Chicago, Chicago, IL, Sixty-ninth American Exhibition
The Museum of Modern Art, New York; travelled to Kyoto and Nagoya, Japan, Information
Whitney Museum of American Art, New York, NY, 1970 Annual Exhibition: Contemporary American Sculpture
San Francisco Museum of Modern Art, San Francisco, CA, Unitary Forms: Minimal Sculpture by Carl Andre, Don Judd, John McCracken, Tony Smith
Kunst- und Museumsverein Wuppertal, Germany, Fünf Künstler in fünf Räumen
Hessisches Landesmuseum Darmstadt, Germany, Bildnerische Ausdrucksformen 1960-1970. Sammlung Karl Ströher
1969
Dwan Gallery, New York, NY
Haags Gemeentemuseum, Den Haag, The Netherlands
Wide White Space, Antwerpen, Belgium, Al Cu
Konrad Fischer, Düsseldorf, Germany, Alloy Squares
Galleria Gian Enzo Sperone, Torino, Italy
Kunsthalle, Bern, Switzerland, travelled to Museum Haus Lange Krefeld, Germany and Institute of Contemporary Arts, London, England, When Attitudes Become Form
Stedelijk Museum, Amsterdam, The Netherlands, Op Losse Schroeven. Square Pegs in Round Holes
Whitney Museum of American Art, New York, NY, Anti-Illusion: Procedures/Materials
Paula Cooper Gallery, New York, NY, Number 7
1968
Wide White Space, Antwerpen, Belgium, Clastic
Städtisches Museum, Mönchengladbach, Germany
Galerie Heiner Friedrich, München, Germany
Irving Blum Gallery, Los Angeles, CA
Haags Gemeentemuseum, Den Haag, The Netherlands, traveled to Kunsthalle Düsseldorf, Germany, Minimal Art
Neue Pinakothek, München, Germany, traveled to Kunstverein Hamburg, Nationalgalerie Berlin, Städtische Kunsthalle, Düsseldorf, Germany, and Kunsthalle Bern, Bern, Switzerland, Sammlung 1968 Karl Ströher
Kassel, Germany, documenta 4
Windham College, Putney, VT, Exterior Situations
Städtische Kunsthalle, Düsseldorf, Germany, Prospect 68
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, 3 Blind Mice/de Collecties: Visser, Peeters, Becht
Paula Cooper Gallery, New York, NY, Benefit for the Student Mobilization Committee to End the War in Vietnam
The Museum of Modern Art, New York, NY, travelled to The Tate Gallery London, England; Centre National d'Art Contemporain, Paris, France; and Kunsthaus Zürich, Switzerland, The Art of the Real: USA 1948-1968
Dwan Gallery, New York, NY, Earthworks
1967
Dwan Gallery, Los Angeles, CA
Konrad Fischer, Düsseldorf, Germany, Ontologische Plastik
Dwan Gallery, New York, NY
Los Angeles County Museum of Art, traveled to Philadelphia Museum of Art, American Sculpture of the Sixties
Institute of Contemporary Art, Philadelphia, PA, A Romantic Minimalism
Lannis Museum of Normal Art, New York, NY, Normal Art
Finch College Museum of Art, New York, NY, Art in Series
1966
Tibor de Nagy, New York, NY
The Jewish Museum, New York, NY, Primary Structures: Younger American and British Sculptors
Institute of Contemporary Art, Boston, MA, Multiplicity
Dwan Gallery, New York, NY, 10
1965
Tibor de Nagy Gallery, New York, NY
Tibor de Nagy Gallery, New York, NY, Shape and Structure
1964
The Hudson River Museum, Yonkers, NY and Bennington College, VT, Eight Young Artists
Mac Adam, Alfred. Carl Andre: Paula Cooper. ARTnews January 2008: 122.
2006
Feldman, Paula. about carl andre: critical texts since 1965. London: Ridinghouse, 2006.
2005
Meyer, James. CUTS: Texts 1959-2004 / Carl Andre. Cambridge, MA: MIT Press, 2005.
1000eventi Gallery. DUE: Carl Andre & Melissa Kretschmer. Milan, Italy: 1000eventi, 2005.
Galerie Tschudi. Carl Andre Glarus 1993-2004. Köln, Germany: Galerie Tschudi & Verlag Buchhandlung Walther Konig, 2005.
Kunsthalle Basel. CARL ANDRE BLACKHOLES KUNSTHALLEBASEL. Basel, Switzerland: Kunsthalle Basel, 2005.
2004
Rahtz, Dominic. Literality and Absence of Self in the Work of Carl Andre. Oxford Art Journal 2004: 63-78.
2002
Boettger, Suzaan. Swept Away: Carl Andre’s Grave and Early Earthworks. Sculpture December 2002: 36-41.
Fyfe, Joe. Carl Andre: ‘Poems.’ Paula Cooper Gallery, New York. Art on Paper May/June 2002: 87.
Huber, Gauthier. Carl Andre: Centre d’art contemporain. Art Press February 2002: 70-71.
Lange, Susanne. A conversation with Carl Andre. Bernd and Hilla Becher, Festschrift. Erasmuspreis, 2002.
2001
minimal-concept Zeichenhafte Sparchen im Raum. Berlin, Germany: Akademie der Künste, 2001.
Diehl, Carol. Carl Andre at Whitechapel Gallery and Paula Cooper. Art in America February 2001.
2000
Kutner, Janet. Collector drawn to emerging artists. Dallas Morning News 27 February 2000: 12 C.
1999
Inaba, Jeffrey. Carl Andre’s Same Old Stuff. Assemblage August 1999: 36-61.
1998
Goodman, Jonathan. Carl Andre at Ace. Art in America January 1998.
Reynolds, Jock. The Serial Attitude. Andover, MA: Addison Gallery of American Art, 1998.
1997
Bell, James Boyer. Carl Andre at Ace. Review 15 March 1997.
Gear, Josephine. Carl Andre: Hey! I’m Here. Review 15 March 1997.
Lee, Pamela and Christine Mehring. Drawing is Another Kind of Language. Cambridge, MA: Harvard University Art Museums, 1997.
Schjeldahl, Peter. Far Out, Carl Andre at Ace Gallery. Village Voice 18 March 1997.
Storr, Robert. On the Edge: Contemporary Art from the Dannheiser Collection. New York, NY: Museum of Modern Art, 1997.
1996
Batchelor, David. Carl Andre at Kunstmuseum Wolfsberg. Frieze October 1996.
Beudert, Monique. The Froehlich Foundation: German and American Art from Beuys and Warhol. Stuttgart, Germany: The Froehlich Foundation, 1996.
Hermann, Eva Meyer. Carl Andre Sculptor 1996. Stuttgart, Germany: Octagon, 1996.
Kimmelman, Michael. Carl Andre at Paula Cooper. New York Times 15 November 1996.
Lucie-Smith, Edward. The art of bricklaying. Art Review April 1996: 34-39.
Marlow, Tim. Carl Andre (interview). Tate: The Art Magazine Summer 1996.
Meyer, James. Carl Andre at Kunstmuseum Wolfsburg. ArtForum October 1996.
Miller-Keller, Andrea. The Collection of Julian Pretto. Hartford, CT: The Wadsworth Atheneum, 1996.
Nairne, Andrew. Building a Wall: twenty years on, a look at the controversy surrounding Carl Andre’s Equivalent VII. Frieze March-April 1996.
Rosenthal, Mark. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. New York, NY: The Guggenheim Museum, 1996.
Von Drathen, Doris. Away from Categories: an Alternative View of Tony Smith and Carl Andre. Tate: The Art Magazine Summer 1996.
1995
Anthony d'Offay Gallery, Sculpture Anthony d'Offay Gallery Spring 1995. London, England: Anthony d'Offay Gallery, 1995.
E.G., Carl Andre at Gagosian. Artnews April 1995: 145.
Kraynak, Janet. Carl Andre at Gagosian. Flash Art May/June 1995: 109.
Mollet-Vieville, Ghislaine. Art Minimal & Conceptual. Geneva, Switzerland: Albert Skira, 1995.
Sampson Meyer, James. The Genealogy of Minimalism: Carl Andre, Dan Flavin, Donald Judd, Sol Lewitt and Robert Morris. Michigan: UMI Dissertation Publishing, 1995.
Schwabsky, Barry. Carl Andre at Paula Cooper. Artpress July/August 1995.
Wei, Lilly. Carl Andre at Paula Cooper. Art in America October 1995.
1994
Fineberg, Jonathan. Art Since 1940: Strategies of Being. Englewood Cliffs, NJ: Prentice Hall, 1994.
Paoletti, John and Ruth Fine. From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection. Washington, D.C.: The National Gallery, 1994.
Schwabsky, Barry. Carl Andre at Paula Cooper. Artforum January 1994: 89.
1993
Fischer, Dorothee. Ausstellungen bei Konrad Fischer-Dusseldorf Oktober 1967-1992. Bielefeld, Germany: Edition Marzona, 1993.
1992
Loers, Veit. Shapes and Positions. Klagenfurt, Austria: Ritter Klagenfurt, 1992.
1991
Davenport, Guy. Artists' Sketchbooks. New York, NY: Matthew Marks Gallery, 1991.
Lauter, Rolf. Carl Andre: Extraneous Roots. Denmark: Museum for Moderne Kunst, 1991.
Malle, Loïc. Virginia Dwan: Art Minimal - Art Conceptuel Earthworks. New York, Les Années 60-70, Paris, France: Galerie Montaigne, 1991.
1990
Cuno, James. Minimalism and Post Minimalism: Drawing Distinctions. Hanover, NH: Hood Museum of Art, 1990 (p. 53).
1989
Batchelor, David. 3000 Years. Artscribe Summer, 1989: 62-63.
1988
Kertess, Klaus. Lead. New York, NY: Hirschl & Adler, 1988.
Sandler, Irving. American Art of the 1960's. New York, NY: Harper and Row, 1988.
Szeemann, Harald. Zeitlos. Berlin, Germany: Werkstadt Berlin, 1988.
1987
Ashbery, John. Carl Andre, 1980. Reported Sightings, 1957-1987, ed. David Bergman, 1987.
De Jonge, Piet. Carl Andre. The Hague: Haags Gemeentemuseum, 1987.
1986
Weiermair, Peter. Vom Zeichnen: Aspekte der Zeichnung 1960-1985. Frankfurt, Germany: Frankfurter Kunstverein, 1986.
1985
Block, Renee et al. Carl Andre: Die Milchstrasse Der Frieden von Munster und andere Skulpturen. Berlin, Germany: n.p., 1985.
Waldman, Diane. Transformations in Sculpture: Four Decades of American and European Art. New York, NY: The Guggenheim Museum, 1985.
1984
Joosten, Joop M. 20 years of art collecting: acquisitions Stedelijk museum amsterdam 1963-1984 painting and sculpture. Amsterdam, The Netherlands: Repro. Dept. Stedelijk, 1984.
Miller-Keller, Andrea and John B. Ravenal, From the Collection of Sol Lewitt. New York, NY: Independent Curators Inc., 1984.
1982
Nationalgalerie Staatliche Museen Pressicher Kulturbesitz. Kunst wird Material. Berlin, Germany: Staatliche Museen Preussicher Kulturbesitz, 1982 (22-25).
1981
Slade, Roy. Instruction Drawings from the Collection of Gil and Lila Silverman. Michigan: Cranbrook Academy of Art, 1981.
1980
Baker, Kenneth. Andre in Retrospect. Art in America 48.4, April 1980: 88-94.
1979
Cummings, Paul. Carl Andre (interview). Artists in their Own Words. New York, NY: St. Martin Press, 1979: 173-195.
McShine, Kynaston. Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art. New York, NY: Museum of Modern Art, 1979.
1978
Andre, Carl. Carl Andre: Sculpture Experiences for Children. California: Laguna Gloria Art Museum, 1978.
Crone, Rainer. Numerals 1924-1977. New Haven, CT: Yale University Press, 1978.
Fuller, Peter. Carl Andre on his sculpture. Parts I, II (interview). Art Monthly June 1978.
Masheck, Joseph. Pictures of Art. ArtForum, May 1978: 26-37.
1976
Rose, Bernice. Drawing Now. New York, NY: Museum of Modern Art, 1976.
1975
Gachnang, Johannes. Carl Andre Sculpture 1958-1974. Bern, Switzerland: Kunsthalle Bern, 1975.
Young, Joseph. Serial Prints. Print Collector’s Newsletter, Sep/Oct 1975: 89-93.
1974
Alloway, Lawrence. Ad Reinhardt: Artists as Writers, Part Two: The Realm of Language. ArtForum, April 1974.
Gould, Andrea. Dialogues with Carl Andre. Arts Magazine, May 1974: 27-28.
1973
Andre, Carl. Carl Andre (Quincy Book by Carl Andre). Andover, MA: Addison Gallery of American Art, 1973.
1971
Burback, Bill. Kid Stuff. Buffalo, NY: Albright Knox Gallery, 1971.
Van Beijeren, Geert and Coosje Kapteyn. Sonsbeek 71 (Part 1 and Part 2). Arnheim, Germany: Sonsbeek, 1971.
Von der Osten, Gert. Kunst der Sechziger (5th revised edition). Cologne, Germany: Wallraf Richartz Museum, 1971.
Waldman, Diane and Edward Fry. Guggenheim International Exhibition 1971. New York, NY: The Solomon Guggenheim Foundation, 1971.
1970
Bott, Gerhard and Karl Stroher. Bildnerische Ausdrucksformen 1960-1970. Darmstadt, Germany: Landesmuseum Darmstadt, 1970.
Develing, Enno. Carl Andre: Art as a Social Fact. Artscanada, December 1970: 47-49.
Lippard, Lucy. 955,000. Vancouver, Canada: Vancouver Art Gallery, 1970.
McShine, Kynaston. Information. New York, NY: Museum of Modern Art, 1970.
Siegel, Jeanne. Carl Andre: artworker (interview). Studio International, November 1970: 175-179.
Tuchman, Phyllis. An interview with Carl Andre. Artforum June 1970: 55-61.
Waldman, Diane. Carl Andre. New York, NY: Guggenheim Foundation, 1970.
1969
De Wilde, Edy. Op Losse Schroeven. Amsterdam, The Netherlands: Stedelijk Museum, 1969.
Szeemann, Harald. Live in Your Head. When Attitudes Become Form. Bern, Switzerland: Bern Kunsthalle, 1969.
Tucker, Marcia and James Monte. Anti-Illusion: Procedures/Materials. New York , Whitney, NY, 1969.
1968
Bourdon, David. Minimal Art: A Critical Anthology, ed. Gregory Battcock. New York, NY: E.P. Dutton & Co., 1968: 103-108.
Lippard, Lucy. Minimal Art. The Hague, Netherlands: Haags Gemeentemuseum, 1968.
1967
Tuchman, Maurice, et al. American Sculpture of the Sixties. Los Angeles, CA: LA County Museum, 1967.
1966
McShine, Kynaston. Primary Structures. New York, NY: Jewish Museum, 1966.
Lives and works in New York, NY.
Website: carlandre.net
EDUCATION
1951-1953Phillips Academy, Andover, MA
1941-1950
Quincy public schools, Quincy, MA
SELECTED EXHIBITIONS
2009Sperone Westwater, New York, NY, Zig Zag
Barbara Mathes Gallery, New York, NY, The Minimalist Site
Thomas Rehbein Galerie, Köln, Germany, One More
Björn Ressle Gallery, New York, NY, Winter Salon
Jonathan Ferrara Gallery, New Orleans, LA, Just What Are They Saying...
Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, Nueva York: El papel de las últimas vanguardias
2008
Yvon Lambert, Paris, France, IRON
Esbjerg Kunstmuseum, Esbjerg, Denmark, One More
Leo Castelli, New York, NY, TEXT: Drawings
2007
Andrea Rosen, New York, NY, CARL ANDRE: Early Works on Paper 1958-1966
Kunst Station Sankt Peter, Cologne, Germany, Carl Andre: Hommage à Chillida
Galerie Tschudi, Glarus, Switzerland, CARL ANDRE: Poetry
Konrad Fischer Galerie, Berlin, Germany, Carl Andre. 40 Jahre bei Konrad Fischer
ACE Gallery, Beverly Hills, CA, Zinc
Paula Cooper Gallery, New York, NY, Timber Works/Copper Works
Cultureel Centrum Strombeek, Mechelen, Belgium, Commitment
Arnaud Lefebvre, Paris, France, 21 Years
Dominique Perrault Architecture, Paris, France, Oeuvres de la collection Billarant
Björn Ressle, New York, NY, 1 (One)
2006
Sadie Coles HQ, London, England, Sculpture
Paula Cooper Gallery, New York, NY, The sum of a number is half the sum of the square of the number plus the number itself
Galerie Arnaud Lefebvre, Paris, France, Poems
Galerie Tschudi, Glarus, Switzerland, Pythagorean sculptures
Konrad Fischer Galerie, Düsseldorf, Germany, passport & poetry
Kunsthaus Graz, Austria, Inventur: Werke aus der Sammlung Herbert
Konrad Fischer Galerie, Düsseldorf, Germany, Galerie mit Bleistift Fischer: Papierarbeiten aus den 60 er un 70 er jahren
Alfonso Artiaco Galleria, Napoli, Italy
Rieckhallen, Hamburger Bahnhof, Berlin, Germany, Von Carl Andre bis Bruce Nauman
Hamburger Bahnhof, Berlin, Germany, Fast nichts: Minimalistisch Werke aus der Friedrich Christian Flick Collection
Kunstmuseum Wolfsburg, Wolfsburg, Germany, Archisculpture
L&M Arts, New York, NY, Elemental Form
Kunstmuseum Winterthur, Switzerland, Plane/Figure: Amerikanische Kunst aus Schweize Privatsammlungen
Vivian Horan, New York, NY, Minimalism: On and Off Paper
Arnaud Lefebvre, Paris, France, Small Works
Palazzo delle arti, Napoli, Italy, DEDICA
2005
1000 eventi, Milano, Italy, Carl Andre
Kunsthalle Basel, Basel, Switzerland, Carl Andre—Black Wholes
Galerie Tschudi, Glarus, Switzerland
Stedelijk Museum, Amsterdam, The Netherlands, Leporello, Een reis door de collectie
Museum für Neue Kunst, Karlsruhe, Germany, EXIT—Aussteig aus dem Bild
2004
Sadie Coles HQ, London, England, BLACK WHITE CARBON TIN
Galerie Arnaud Lefebvre, Paris, France, CARL ANDRE
Paula Cooper Gallery, New York, NY, Carl Andre: Lament for the Children
Galerie Tschudi, Zuoz/Engadin, Switzerland, CARL ANDRE—Works from Glarus
Konrad Fischer Galerie, Düsseldorf, Germany, Carl Andre: Graphite
Cabinet des Estampes, Genève, Switzerland, Carl Andre—Passeport et Poésie 1960—2000
The Solomon R. Guggenheim Museum, New York, NY, Singular Forms (Sometimes Repeated): Art from 1951 to the Present
MOCA at California Plaza, Los Angeles, CA, A Minimal Future? Art as Object 1958-1968
Circulo de Bellas Artes, Madrid, Spain, La odisea americana 1945/1980
Los Angeles County Museum of Art, Los Angeles, CA, Beyond Geometry: Experiments in Form 1940s-70s
Stedelijk Museum, Amsterdam, The Netherlands, Shanghai Art Museum: Encounters with Modernism
Whitney Museum of American Art, New York, NY, Landscape
Museum of Contemporary Art San Diego, La Jolla, CA, Specific Objects: The Minimalist Influence
Fondation Beyeler, Basel, Switzerland, Archisculpture
2003
Galerie Arnaud Lefebvre, Paris, France, Carl Andre: America Drill
Geukens & De Vil Contemporary Art, Knokke-Zoute, Belgium, Carl Andre—New Work and presentation of the poem America Drill
Galerie Tschudi, Glarus, Switzerland, Thank You Glarus—Carl Andre
Konrad Fischer Galerie, Düsseldorf, Germany, Aluminum Squares
Gallery Yamaguchi, Osaka, Japan, Carl Andre: Poems, Yucatan 1972
Oklahoma City Museum of Art, Oklahoma City, OK, An International Legacy: Selections from Carnegie Museum of Art; traveled to Nevada Museum of Art, Reno, NV; Mobile Museum of Art, Mobile, AL
National Gallery of Canada, Halifax, Canada, 3 x 3—Flavin, Andre, Judd; traveled to Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver BC, Illingworth Kerr Gallery and Alberta College of Art & Design, Calgary, Canada
Walker Art Center, Minneapolis, MN, Elemental: Selections from the permanent collection
The Allen Memorial Art Museum, Oberlin, OH, From Modernism to the Contemporary, 1958-1999
Van Abbemuseum, Eindhoven, The Netherlands, From Broodthaers to Horn
Museu d'Art Contemporani de Barcelona, Barcelona, Spain, Arte y utopia—La acción restringida
2002
ACE Gallery, Los Angeles, CA, Carl Andre
Konrad Fischer Galerie, Düsseldorf, Germany, Carl Andre
Galerie Tschudi, Glarus, Switzerland, Carl Andre—Copper Cubes
Paula Cooper Gallery, New York, NY, Carl Andre—Ingots— Wood/Words/Aluminum
Gallery Side 2, Tokyo, Japan, Carl Andre, poems
Astrup Fearndkey Museet for Moderne Kunst, Oslo, Norway, Passenger: The Viewer as Participant
Stedelijk Museum, Amsterdam, The Netherlands, Conceptual Art 1965-1975 from Dutch and Belgian Collections
Museum of Contemporary Art of Georgia, Atlanta, GA, Artists of the Heath Gallery 1965-1998
Walker Art Center, Minneapolis, MN, Walk Around Time: Selections from the Permanent Collection
Musée d’art contemporain, Bordeaux, France, Les années 70: l’art en cause
Ecole Supérieure des Beaux-Arts de Nimes, France, Pièces de Collection / Oeuvres Contemporaines
2001
Open Air Museum Middelheim, Antwerpen, Belgium, CARL ANDRE, WORKS ON LAND
Sadie Coles, London, England, Carl Andre / Words & Small Fields
Kunsthalle Bielefeld, Germany, Art Works—Sammlung Marzona—Kunst um 1968
Hamburger Kunsthalle, Hamburg, Germany, Monet’s Legacy: Series—Order and Obsession
Espace de l’Art Concret, Château de Mouans-Sartoux, Côte d’Azur, France, à fur et à mesure: Collection Jean-Philippe & Françoise Billarant
Wadsworth Atheneum Museum of Art, Hartford, CT, noncomposition: fifteen case studies
Galleria d'Arte Moderna & Contemporanea, Palazzo Forti, Verona, Italy, La percezione dello spazio
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, Minimalismos: Un signo de los tiempos
MACBA, Barcelona, Spain, Antagonismos
2000
Whitechapel Art Gallery, London, England, Carl Andre
Galerie Tschudi, Glarus, Switzerland, Poetry / TryPoe
Paula Cooper Gallery, New York, NY, Carl Andre—Small Sculptures
Casino Luxembourg, Forum d'Art Contemporain, Luxembourg, Many Colored Objects…
Oriel Mostyn Gallery, Llandudno, Wales, Great Britain, Artworkers
Akira Ikeda Gallery, New York, NY, An Empty Space
Galerie Tschudi, Glarus, Switzerland, Carl Andre and Sol LeWitt
Guggenheim Museum, Bilbao, Spain, Changing Perceptions—The Panza Collection at the Guggenheim Museum Bilbao
1999
Yvon Lambert, Paris, France, Lament for the Children
Konrad Fischer Galerie, Düsseldorf, Germany, STILLANOVEL TRIALS— STILLANOVEL SYNOPSIS—STILLANOVEL EDITION
Neues Museum, Kunstsammlungen zu Weimar, Germany, Auffrischender Wind aus wechselnden Richtungen/International Avantgarde seit 1960, Die Sammlung Paul Maenz
Stamford Sculpture Walk ’99, Stamford, CT, Important Sculptors of the Late Twentieth Century
Modern Art Museum of Fort Worth, Fort Worth, TX, House of Sculpture
Museum für Gegenwartskunst, Basel, Switzerland, White Fire: Amerikanische Kunst 1959-1999 in Basel
Kunstmuseum Wolfsburg, Germany, Zeitgenössische Kunst seit 1968
Whitney Museum of American Art, New York, NY, The American Century: Part II
1998
Alfonso Artiaco, Pozzuoli, Napoli, Italy
Konrad Fischer Galerie, Düsseldorf, Germany, Western Red Cedar
Royal Botanic Garden, Edinburgh, UK, Carl Andre—New Work
Galerie Tanit, München, Germany, Carl Andre / Selected Works
Paula Cooper Gallery, New York, NY, Carl Andre—New Work
Galerie Tschudi, Glarus, Switzerland, Carl Andre
Sydney, Australia, Every Day: the 11th Biennale of Sydney
Van Abbemuseum Eindhoven, The Netherlands, A Choice from the Collection
Das Museum für Moderne Kunst, Frankfurt am Main, Germany, horizontal - vertikal
The Solomon R. Guggenheim Foundation, New York, NY, Rendezvous / Masterpieces from the Centre Georges Pompidou and The Guggenheim Museums
Inaugural exhibition at the Guggenheim Museum Bilbao, Spain, The Guggenheim Museums and the Art of this Century
Musée Royal de Mariemont, Belgium, Auguste Rodin
Centre de la Vieille Charité and MAC, galeries contemporaines des musées de Marseille, France, 50 espèces d’espaces
1997
Konrad Fischer Galerie, Düsseldorf, Germany, Carl Andre
ACE Gallery New York and ACE Gallery Los Angeles, Carl Andre
Galerie Arnaud Lefebvre, Paris, France, PASSPORT 1960 / YUCATAN 1972
Synagogue Stommeln, City of Pulheim/NRW, Germany, The Void Enclosed by the Squares of Three, Four, and Five
Busche Galerie, Berlin, Germany, Hexatins 1996
Galerie Tschudi, Glarus, Switzerland
M.A.C. Musée d’Art Contemporain at Musée Cantini, Marseille, France, CARL ANDRE Sculptor 1997
Centre de la Vieille Charité, Marseille, France, Carl Andre—Oeuvre Poétique
Paula Cooper Gallery, New York, NY, Typewriter Drawings 1963 and Blue Cut Trails 1963
Hamburg Deichtorhallen and Kunsthalle Hamburg, Germany, Sammlung Froehlich; traveled to Wien Bank Austria Kunstforum, Vienna, Austria
Palais des Beaux Arts, Brussels, Belgium, L’Art de Collectionner
Martin-Gropius-Bau, Berlin, Germany, Die Epoche der Moderne—Kunst im 20 Jahrhundert; traveled to London, Royal Academy of Arts, London, England
Museum Moderner Kunst Wien, Vienna, Austria, The View from Denver
Van Abbemuseum Eindhoven, The Netherlands, Sleeping Beauty
The Museum of Modern Art, New York, NY, On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection
Le Nouveau Musée/Institut FRAC Rhône-Alpes, Villeurbanne Cedex, France, Le Bel Aujourd’hui—Oeuvres d’une collection privée
1996
Krefeld Haus Lange & Haus Esters and Kunstmuseum Wolfsburg, Germany, Carl Andre Sculptor 1996—Krefeld at home / Wolfsburg at large
Galerie Arnaud Lefebvre, Paris, France, Carl Andre—Erik Satie—Constantin Brancusi
Museum of Modern Art, Oxford, England, Carl Andre Sculptor 1996
Second Floor Exhibition Space, Reykjavik, Iceland
Bonnefantenmuseum, Maastricht (Wiebengahal), The Netherlands, Carl Andre
Paul Cooper Gallery, New York, NY, Prospective Retrospective
Solomon R. Guggenheim Museum, New York, NY, Total Risk, Freedom, Discipline: Abstraction in the Twentieth Century
Koldo Mitxelena Kulturnea, San Sebastián, Spain, Minimal Art
MAC, galeries contemporaines des musées de Marseille, Marseille, France, Wide White Space—Une histoire de l’art des années 60/70
Musée d’Art Moderne et d’Art Contemporain, Nice, France, Chimériques polymères: Le Plastique dans l’Art du XXème Siècle
Tate Gallery, London, England, The Froehlich Collection
1995
Gagosian Gallery, Madison Avenue, New York, NY, Sand-Lime Instar
Paula Cooper Gallery, New York, NY, Carl Andre—Sculpture
Galerie Tschudi, Glarus, Switzerland, Pb Cu
Anthony d’Offay Gallery, London, England, Carl Andre—New Wood Works
Museum of Contemporary Art, Tokyo, Japan, Revolution: Art of the Sixties from Warhol to Beuys
Tel Aviv Museum of Art, Tel Aviv, Israel, A Passion for the New: New Art in Tel Aviv Collections
Van Abbemuseum Eindhoven, The Netherlands, Entr’Acte 4
Musée d'’Art Moderne de la Ville de Paris, ARC, Paris, France, Passions Privées
1994
Kölnischer Kunstverein, Köln, Germany, Words 1958-1972
Stedelijk Museum Amsterdam, Amsterdam, The Netherlands, WORDS—The Complete Poems
Konrad Fischer, Düsseldorf, Germany, Carl Andre
Malmö Konsthall, Malmö, Sweden, Till Brancusi
Kunstmuseum Wolfsburg, Germany, Tuning Up: Cue for a Collection in Wolfsburg
Museum für Gegenwartskunst, Basel, Switzerland, Zimmer, in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst
Musée d'Art Moderne Saint-Etienne, France, Art Américain: Les Années 60-70
Palais des Beaux-Arts, Brussels, Belgium, Wide White Space 1966-1976, traveled to Kunstmuseum Bonn, Germany, and MAC Marseille, France
1993
Julian Pretto Gallery, New York, NY, Carl Andre: Maze & Snares of Minimalism
Galerie Tschudi, Glarus, Switzerland, Carl Andre
Paula Cooper Gallery, New York, NY, Words 1960-1980
Museum Fridericianum, Kassel, Germany, Shapes and Positions
Martin-Gropius-Bau, Berlin, Germany, Amerikanische Kunst im 20 Jahrhundert; traveled to Royal Academy of Arts, London, England
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, The Collection
1992
Paula Cooper Gallery, New York, NY, Carl Andre—Manet Isobars
Galerie Plus-Kern, Brussels, Belgium, Carl Andre—Ten Sculptures in the Shape of a Pair
Julian Pretto Gallery, New York, Carl Andre—Recent Sculpture
Yvon Lambert, Paris, France, Carl Andre
Konrad Fischer, Düsseldorf, Germany, Carl Andre
Musée d'art moderne de la Communauté Urbaine de Lille, Villeneuve d'Ascq, France, Yvon Lambert Collection
Museum van Hedendaagse Kunst, Citadelpark, Gent, Belgium, Minima(a)l
Allen Memorial Art Museum, Oberlin College, Oberlin, OH, The Living Object: The Art Collection of Ellen H. Johnson
Kaiser-Wilhelm-Museum, Krefeld, Germany, Schwerpunkt Skulptur
Musée d'art moderne, Centre Georges Pompidou, Paris, France, Manifeste
Opening of the SoHo Branch of the Guggenheim Museum, New York, NY, From Brancusi to Bourgeois: Aspects of the Guggenheim Collection
Collecció d'Art Contemporani Fundació LA CAIXA, Barcelona, Spain, Tropismes
1991
Tate Gallery, London, England, Preview of Without Walls: Upholding the Bricks, film, Channel Four Television
Museum für Moderne Kunst at the Cloister of the Carmelites, Frankfurt am Main, Germany, Carl Andre—Extraneous Roots
Cleveland Center for Contemporary Art, Cleveland, OH, Carl Andre: Homage to Hollis Frampton
Vestsjaellands Kunstmuseum, Sorø, Denmark, Carl Andre—Skulptur & Poesi
Konrad Fischer, Düsseldorf, Germany, Coldrolled Primecouples
Anthony d’Offay, London, England, Bismuth Cadmium Indium
Albright-Knox Art Gallery, Buffalo, NY, Postwar Sculpture from the Collection
Museum Dhondt-Dhaenens, Belgium, Betekende Ruimte / Designated Space
The Bertha & Karl Leubsdorf Art Gallery, New York, NY, 8 Young Artists Then and Now (1964-1991)
The Addison Gallery of American Art, Phillips Academy, Andover, MA, American Abstraction at the Addison
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, Een keuze uit de eigen collecti minimale kunst uit de jaren zestig en zeventig
Kunsthalle der Hypo-Kulturstiftung München and Von der Heydt-Museum, Wuppertal, Germany, Denk-Bilder / Kunst der Gegenwart 1960-1990
Whitney Museum of American Art at Equitable Center, New York, NY, Immaterial Objects
Neues Museum Weserburg, Bremen, Germany, Sammlung Lafrenz
1990
Konrad Fischer, Düsseldorf, Germany
Plus-Kern Gallery, Brussels, Belgium
Paula Cooper Gallery, New York, NY
Städtische Kunsthalle Düsseldorf, Germany, and at Museum für Gestaltung, Zürich, Switzerland, Um 1968—Konkrete Utopien in Kunst und Gesellschaft
The Art Institute of Chicago, Chicago, IL, Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art
Nassau County Museum of Art, Roslyn Harbor, NY, Two Decades of American Art: The ‘60s & ‘70s
Musée d'Art Moderne de la Ville de Paris, Paris, France, Un Choix d’Art Minimal dans la Collection Panza
The National Museum of Art, Osaka, Japan, Minimal Art
1989
Galerie Daniel Templon, Paris, France
Anthony d’Offay, London, England, Six Sculptures
Paula Cooper Gallery, New York, NY, Words as Poems, Matter as Sculpture
Galería Edurne, Madrid, Spain, Brownian Stillness
Van Abbemuseum, Eindhoven, The Netherlands, Capita Selecta
Tate Gallery, Liverpool, England, Minimalism
Helsingin Taidehalli, Helsinki, Finland, Modern Masters ‘89
Rheinhallen der Kölner Messe, Köln, Germany, Bilderstreit
Whitney Museum of American Art, New York, NY, Immaterial Objects; traveled to North Carolina Museum of Art, Raleigh, NC; Albany Museum of Art, GA; and San José Museum of Art, San José, CA
1988
Palacio de Cristal, Madrid, Spain, traveled to Espacio Parque Pignatelli, Museum Pablo Gargallo, Zaragoza, Spain, Roaring Forties
Julian Pretto Gallery, New York, NY
Konrad Fischer, Düsseldorf, Germany
Yvon Lambert, Paris, France, Hearth
Plus-Kern, Brussels, Belgium
Jean Bernier, Athens, Greece
Centro de Arte Reina Sofía, Madrid, Spain, Arte Minimal, Coleccíon Panza
Rijksmuseum Kröller-Müller, Otterlo, The Netherlands, Opening of the Sculpture Park
Hamburger Bahnhof, Berlin, Germany, Zeitlos
Albright-Knox Gallery, Buffalo, New York, Abstraction Geometry Painting
Museum of Contemporary Art, Chicago, IL, Three Decades: The Oliver-Hoffmann Collection
DAAD Berlin, Germany, Balkon mit Fächer, traveled to DuMont Kunsthalle, Köln, Germany
Dallas Museum of Arts, Dallas, TX, Now/Then/Again
1987
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, simultaneous show with Haags Gemeentemuseum, Den Haag, The Netherlands
Museo d’Arte Contemporanea, Castello di Rivoli, Italy, Carl Andre—Sculture
Konrad Fischer, Düsseldorf, Germnay, Revel (for KF)
Art Gallery of Ontario, Toronto, Canada, Selection from the Roger and Myra Davidson Collection
Institute of Contemporary Art, University of Pennsylvania, PA, 1967: At the Crossroads
Dallas Museum of Art, Dallas, TX, A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, traveled to the National Gallery of Art, Washington, DC
Münster, Germany, Skulptur Projekte in Münster 1987
The Solomon R. Guggenheim Museum, New York, NY, Fifty Years of Collecting: An Anniversary Selection (Sculpture of the Modern Era)
Museo d'Arte Contemporanea del Castello di Rivoli, Torino, Italy, Standing Sculpture
1986
Plus-Kern, Brussels, Belgium, Petit Granit/Belgian Blue Limestone
Konrad Fischer, Düsseldorf, Germany, Belgian Blue Limestone
Fort Lauderdale Museum of Art, Fort Lauderdale, FL, An American Renaissance: Painting and Sculpture Since 1940
Le Nouveau Musée, Villeurbanne, France, Collection Souvenir
The Museum of Contemporary Art, Los Angeles, CA, The Barry Lowen Collection
Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France, Qu’est-ce que la sculpture moderne?
Ecole Régionale des Beaux-Arts Georges Pompidou, Dunkerque, France, Minimal et Conceptuel
Museum Wallraf-Richartz/Museum Ludwig, Köln, Germany, Europa-Amerika
Contemporary Painting and Sculpture Galleries, Museum of Modern Art, New York, NY
Musée d'Art Contemporain, Bordeaux, France, Art Minimal II
1985
Paula Cooper Gallery, New York, NY
Galerie Daniel Templon, Paris, France, Travertino
Konrad Fischer, Düsseldorf, Germany
Gian Enzo Sperone, Roma, Italy
Kunstraum München eV., München, Germany, Die Milchstrasse (La Voie Lactée/The Milky Way)
Saatchi Collection, London, England, The Saatchi Collection
Museum of Contemporary Art, Chicago, IL, Selection from the William J. Hokin Collection
Musée des Beaux Arts de Rennes, France, Sur/Exposition
Museum Haus Lange and Haus Esters, Krefeld, Germany, Dreissig Jahre durch die Kunst
Museum of Modern Art, New York, NY, Contrasts of Form: Geometric Abstract Art, 1910-1980
Musée d'Art Moderne de la Ville de Liège, Belgium, Ressemblances/Dissemblances
The Solomon R. Guggenheim Museum, New York, NY, Transformation in Sculpture
1984
Fine Arts Gallery, Broward Community College, Fort Lauderdale, FL
Richland College, Dallas, TX
Westfälischer Kunstverein, Münster, Germany, Der Frieden von Münster
Konrad Fischer, Düsseldorf, Germany
Galerie im Körnerpark (DAAD), Berlin, Germany
Plus-Kern, Brussels, Belgium
Galleria Primo Piano, Roma, Italy
Galerie Andre, Anselm Dreher, Berlin, Germany
Fine Arts Center Art Gallery, State University of New York at Stony Brook, NY
Paula Cooper Gallery, New York, NY and Leo Castelli Gallery, New York, NY, Artists Call Against U.S. Intervention in Central America
Kunstmuseum Winterthur, Switzerland, Une Collection Imaginaire
Stedelijk Museum, Amsterdam, The Netherlands, Collectie Becht
Merian-Park, Brüglingen/Basel, Switzerland, Skulptur im 20 Jahrhundert
Tate Gallery, London, England, American Art: Minimal Expression
Museum of Modern Art, Shiga, Japan, Development of Western Sculpture in the Modern Period
Hallen für Neue Kunst, Schaffhausen, Switzerland
Rijksmuseum Kröller-Müller, Otterlo, The Netherlands, Little Arena—Drawings and Sculptures from the Collection Adri, Martin and Geert-Jan Visser
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, L’architecte est absent: works from the collection of Annick and Anton Herbert
1983
Heath Gallery, Atlanta, GA, Sculpture 1983
Paula Cooper Gallery, New York, NY, For Eva Hesse
Flow Ace Gallery, Los Angeles, CA
Galerie Daniel Templon, Paris, France
Konrad Fischer, Zürich, Switzerland, Range Works
Galerie Plus-Kern, Brussels, Belgium, Fireworks
Le Nouveau Musée, Villeurbanne/Lyon, France
Le Coin du Miroir, Dijon, France
The Clocktower, The Institute for Art and Urban Resources, New York, NY
Whitney Museum of American Art, New York, NY, Minimalism to Expressionism: Painting and Sculpture from the Permanent Collection
Middelheim, The Netherlands, 17de Biennale voor Beeldhouwkunst
Museum Haus Lange and Museum Haus Esters, Krefeld, Germany, Das, was durch Darstellung einen Stillstand andeutet. Sammlung Reiner Speck.
Museum of Contemporary Art, Los Angeles, CA, The First Show: Painting and Sculpture from Eight Collections 1940-1980
The Art Museum of The Atheneum, Helsinki, Finland, Ars 83 Helsinki
1982
Konrad Fischer, Düsseldorf, Germany
David Bellman, Toronto, Canada, Toronto Works
Susan Caldwell Gallery, New York, NY
Alberta College of Art Gallery, Calgary, Canada
Lowe Art Museum, University of Miami, Coral Gables, FL
University of Wyoming, Laramie, WY
Colorado State University, Fort Collins, CO
Whitney Museum of American Art, Fairfield County, CT, Surveying the Seventies
Stedelijk Museum, Amsterdam, The Netherlands, ’60 ’80 Attitudes/Concepts/Images
Kassel, Germany, documenta 7
The Aldrich Museum of Contemporary Art, Ridgefield, CT, postMINIMALISM
Nationalgalerie, Berlin, Germany, Kunst wird Material
Whitney Museum of American Art, New York, NY, Minimalism x 4
Solomon R. Guggenheim Museum, New York, NY, The New York School: Four Decades
1981
Museum Haus Lange, Krefeld, Germany, House as Organ: Stops and Unstopped
Anthony d’Offay, London, England, Carl Andre, New Sculpture
Konrad Fischer, Zürich, Switzerland
Württembergischer Kunstverein, Stuttgart, Germany
Graeme Murray Gallery, Edinburgh, Scotland
Paula Cooper Gallery, New York, NY, Carl Andre, Donald Judd, Sol LeWitt
Susan Caldwell Gallery, New York, NY
Seagram Plaza, New York, NY
Rheinhallen Messegelände Köln, Germany, Westkunst
Fundacíon Juan March, Madrid, Spain, Minimal Art
1980
Institute of Contemporary Art, Boston, MA, Sculpture 1959-1977
Paula Cooper Gallery, New York, NY
Lopoukhine Nayduch Gallery, Boston, MA, Manet Series. In Memory of Thomas Morton
Konrad Fischer, Düsseldorf, Germany, Pair, Hearth
Ace Gallery, Venice, CA
Cornish Institute of Arts, Seattle, WA
David Bellman Gallery, Toronto, Canada
Portland State University, Portland, OR
Louisiana Museum of Modern Art, Humlebaek, Denmark, Andre, Dibbets, Long and Ryman
Wenkenpark, Riehen/Basel, Switzerland, Skulptur im 20 Jahrhundert
Westfälisches Landesmuseum, Münster, Germany and Kunsthaus Zürich, Switzerland, Reliefs—Formprobleme zwischen Malerei und Skulptur im 20 Jahrhundert
Hayward Gallery, London, England, Pier + Ocean; travels to: Otterlo, The Netherlands
The Aldrich Museum of Contemporary Art, Ridgefield, Ct, Sculptural Forms
Galleria Nazionale d’Arte Moderna, Rome, Italy, Carl Andre, Donald Judd, Robert Morris—Sculture Minimal
Kunstmuseum Düsseldorf, Germany, Minimal + Conceptual Art aus der Sammlung Panza; travels to: Museum für Gegenwartskunst, Basel, Switzerland
1979
Palais des Beaux-Arts, Brussels, Belgium, Wood
Glenbow Institute, Calgary, Alberta, Canada, Sculpture 1959-1977
ARC, Musée d'Art Moderne de la Ville de Paris, France, Sculptures en bois
University Art Museum, University of California, Berkeley, CA, Sculpture 1959-1977
Dallas Museum of Fine Arts, Dallas, TX, Sculpture 1959-1977
National Gallery of Canada, Ottawa, Canada
Reese Bullen Gallery, Humboldt State University, Arcata, CA
Musée d'Art Contemporain, Montreal, Canada, Sculpture 1959-1977
Dag Hammarskjöld Plaza Sculpture Garden, New York, NY
ACA Gallery SAIT, Calgary, Alberta, Canada
Bonnefantenmuseum, Maastricht, The Netherlands, On Walks and Travels
Institute of Contemporary Art, Boston, MA, The Reductive Object
The Aldrich Museum of Contemporary Art, Ridgefield, CT, The Minimal Tradition
Museum of Modern Art, New York, NY, Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art
Kunsthalle Bern, Switzerland, Skulptur: Matisse, Giacometti / Judd, Flavin, Andre, Long
1978
Laguna Gloria Art Museum, Austin, TX, Sculpture 1959-1977
The Contemporary Arts Center, Cincinnati, OH, Sculpture 1959-1977
Whitechapel Art Gallery, London, England, Sculpture 1959-1977
Ace Gallery, Vancouver, British Columbia, Canada
Albright-Knox Art Gallery, Buffalo, NY
Art Agency Co. Ltd., Tokyo, Japan
Pinacotheca Richmond Victoria, Melbourne, travelled to Newcastle Region Art Gallery, New Castle, New South Wales, Australia
Konrad Fischer, Düsseldorf, Germany
Ace Gallery, Venice, CA
The Art Institute of Chicago, Chicago, IL, Sculpture 1959-1977
Stedelijk Van Abbemuseum Eindhoven, The Netherlands, Wood
Sperone Westwater Fischer, New York, NY
Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, Germany, Aspekte der 60er Jahre
Stedelijk Museum, Amsterdam, The Netherlands, Door
Whitney Museum of American Art, New York, NY, American Art 1950 to the Present
Hartnell College Gallery, Salinas, CA, Selections: Historical and Contemporary Objects
La biennale de Venezia, Venice, Italy, From Nature to Art, from Art to Nature
1977
Otis Art Institute, Los Angeles, CA
Sperone Westwater Fischer, New York, NY
Joseloff Gallery, Hartford Art School, Hartford, CT
Nassau County Museum of Art, Roslyn, NY, Wood
Musée National d'Art Moderne, Centre Georges Pompidou, Paris, England, Paris—New York
Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany, Skulptur. Ausstellung in Münster
Museum of Contemporary Art, Chicago, IL, View of a Decade
Palais des Beaux Arts, Brussels, Belgium, American Art in Belgium
1976
John Weber Gallery, New York, NY, Wood and Metal Sculptures 1960-1975
Detroit Institute of the Arts, Detroit, MI, Prime Terrane
Ace Gallery, Venice, CA
Konrad Fischer, Düsseldorf, Germany, Neubrückwerk
Kabinett für Aktuelle Kunst, Bremerhaven, Germany, Fe Zn
Galerie Yvon Lambert, Paris, France, Copper Prime Couples
Minneapolis College of Art and Design, Minneapolis, MN
Davison Art Center, Wesleyan University, Middletown, CT
The Clocktower, New York, NY
John Weber Gallery, New York, NY
Barbara Cusack Gallery, Houston, TX
Institute for Art and Urban Resources, PS 1, Long Island City, NY, Rooms PS 1
Corcoran Gallery of Art, Washington, D.C., Carl Andre, Richard Long and Barry LeVa
Akademie der Künste, Berlin, Germany, New York-Downtown Manhattan: SoHo
Städtisches Museum, Mönchengladbach, Germany, Räume
Guggenheim Museum, New York, NY, Action and Reaction
The Museum of Modern Art, Oxford, England, Andre/Flavin/Judd/LeWitt
Städtische Kunsthalle Düsseldorf, Germany, ProspectRetrospect / Europa 1946-1976
1975
Kunsthalle Bern, Switzerland
Barbara Cusack Gallery, Houston, TX
Lisson Gallery, London, England
Galleria Gian Enzo Sperone, Palazzo del Drago, Roma, Italy
Daniel Weinberg Gallery, San Francisco, CA
Ace Gallery, Vancouver, British Columbia, Canada
John Weber Gallery, New York, NY
Sperone Westwater Fischer, New York, NY
Portland Art Museum, Portland, OR, Masterworks in Wood: The Twentieth Century
National Collection of Fine Arts, Washington, D.C., travelled to Cincinnati, OH, Sculpture: American Directions 1974-1975
Musée d'Ixelles, Brussels, Belgium, Je/Nous
1974
Wide White Space at Le Bailli, Brussels, Belgium
Wide White Space, Antwerpen, Belgium
John Weber Gallery, New York, NY
Konrad Fischer, Düsseldorf, Germany
Ace Gallery, Vancouver, British Columbia, Canada
Indianapolis Museum of Art, Indianapolis, IN, and the Taft Museum, Cincinnati, OH, Painting and Sculpture Today 1974
Royal College of Art, London, England, Sculpture Now: Dissolution or Redefinition
Staatsgalerie Stuttgart, Germany, Der Konstruktivismus und seine Nachfolge, Beispiele aus dem Bestand der Staatsgalerie Stuttgart und ihrer Graphischen Sammlung
Massachusetts Institute of Technology, Cambridge, MA, Interventions in Landscape
Kölnischer Kunstverein, Köln, Germany, Kunst über Kunst
The High Museum of Art, Atlanta, GA, The New Image
1973
Max Protetch Gallery, Washington, D.C.
Portland Center for the Visual Arts, Portland, OR, 144 Blocks and Stones. For Robert Smithson (1938-1973)
Addison Gallery of American Art, Andover, MA, Six Alloy Plains
Projects Series, The Museum of Modern Art, New York, NY, Waterbodies
Institute of Contemporary Art, Boston, MA
Thayer Academy, Braintree, MA
Konrad Fischer, Düsseldorf, Germany, Dipoles Al-Cu-Fe
John Weber Gallery, New York, NY
Galleria Gian Enzo Sperone, Torino, Italy
Forum für Aktuelle Kunst, Galerie Krinzinger, Innsbruck, Austria
Parcheggio di Villa Borghese, Roma, Italy, Contemporanea. Incontri Internationali d’Arte
The National Gallery of Victoria, Melbourne, traveled to Perth, Sydney, Adelaide, and Auckland, Australia, Some Recent American Art
Städtische Galerie im Lenbachhaus, München, Germany, Bilder, Objekte: Sammlung Herbig
Seattle Art Museum, WA, American Art: Third Quarter Century
1972
Janie C. Lee Gallery, Dallas, TX, Plains Cu Pb Mg Zn
Friends of Contemporary Art, Denver, CO
Konrad Fischer, Düsseldorf, Germany, Small Floor Pieces
Lisson Gallery, London, England
John Weber Gallery, New York, NY
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, Grids
Storm King Art Center, Mountainville, NY, Painting and Sculpture 1972
Albright-Knox Art Gallery, Buffalo, NY, Recent American Painting and Sculpture in the Albright-Knox Art Gallery
1971
Dwan Gallery, New York, NY
Wide White Space, Antwerpen, Belgium, Weathering Piece
The Saint Louis Art Museum, St. Louis, MO
Konrad Fischer, Düsseldorf, Germany, Four Meditations on the Year 1960
Locksley-Shea Gallery, Minneapolis, MN
Konrad Fischer, Düsseldorf, Germany
Galerie Yvon Lambert, Paris, France
Galerie Heiner Friedrich, München, Germany
Park Sonsbeek, Arnhem, The Netherlands, Sonsbeek ’71—Buiten de Perken
New Delhi, India, Second Indian Triennial
The Solomon R. Guggenheim Museum, New York, NY, Sixth Guggenheim International Exhibition
1970
The Solomon R. Guggenheim Museum, New York, NY
Ace Gallery, Venice, CA
Foundation Maeght, St. Paul-de-Vence, France, L’Art Vivant aux Etats-Unis
Tenth Biennale Tokyo, Tokyo Metropolitan Art Gallery, travelled to Kyoto and Nagoya, Japan, Between Man and Matter
Württembergischer Kunstverein, Stuttgart, Germany, Eisen- und Stahlplastik 1930-70
The Art Institute of Chicago, Chicago, IL, Sixty-ninth American Exhibition
The Museum of Modern Art, New York; travelled to Kyoto and Nagoya, Japan, Information
Whitney Museum of American Art, New York, NY, 1970 Annual Exhibition: Contemporary American Sculpture
San Francisco Museum of Modern Art, San Francisco, CA, Unitary Forms: Minimal Sculpture by Carl Andre, Don Judd, John McCracken, Tony Smith
Kunst- und Museumsverein Wuppertal, Germany, Fünf Künstler in fünf Räumen
Hessisches Landesmuseum Darmstadt, Germany, Bildnerische Ausdrucksformen 1960-1970. Sammlung Karl Ströher
1969
Dwan Gallery, New York, NY
Haags Gemeentemuseum, Den Haag, The Netherlands
Wide White Space, Antwerpen, Belgium, Al Cu
Konrad Fischer, Düsseldorf, Germany, Alloy Squares
Galleria Gian Enzo Sperone, Torino, Italy
Kunsthalle, Bern, Switzerland, travelled to Museum Haus Lange Krefeld, Germany and Institute of Contemporary Arts, London, England, When Attitudes Become Form
Stedelijk Museum, Amsterdam, The Netherlands, Op Losse Schroeven. Square Pegs in Round Holes
Whitney Museum of American Art, New York, NY, Anti-Illusion: Procedures/Materials
Paula Cooper Gallery, New York, NY, Number 7
1968
Wide White Space, Antwerpen, Belgium, Clastic
Städtisches Museum, Mönchengladbach, Germany
Galerie Heiner Friedrich, München, Germany
Irving Blum Gallery, Los Angeles, CA
Haags Gemeentemuseum, Den Haag, The Netherlands, traveled to Kunsthalle Düsseldorf, Germany, Minimal Art
Neue Pinakothek, München, Germany, traveled to Kunstverein Hamburg, Nationalgalerie Berlin, Städtische Kunsthalle, Düsseldorf, Germany, and Kunsthalle Bern, Bern, Switzerland, Sammlung 1968 Karl Ströher
Kassel, Germany, documenta 4
Windham College, Putney, VT, Exterior Situations
Städtische Kunsthalle, Düsseldorf, Germany, Prospect 68
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, 3 Blind Mice/de Collecties: Visser, Peeters, Becht
Paula Cooper Gallery, New York, NY, Benefit for the Student Mobilization Committee to End the War in Vietnam
The Museum of Modern Art, New York, NY, travelled to The Tate Gallery London, England; Centre National d'Art Contemporain, Paris, France; and Kunsthaus Zürich, Switzerland, The Art of the Real: USA 1948-1968
Dwan Gallery, New York, NY, Earthworks
1967
Dwan Gallery, Los Angeles, CA
Konrad Fischer, Düsseldorf, Germany, Ontologische Plastik
Dwan Gallery, New York, NY
Los Angeles County Museum of Art, traveled to Philadelphia Museum of Art, American Sculpture of the Sixties
Institute of Contemporary Art, Philadelphia, PA, A Romantic Minimalism
Lannis Museum of Normal Art, New York, NY, Normal Art
Finch College Museum of Art, New York, NY, Art in Series
1966
Tibor de Nagy, New York, NY
The Jewish Museum, New York, NY, Primary Structures: Younger American and British Sculptors
Institute of Contemporary Art, Boston, MA, Multiplicity
Dwan Gallery, New York, NY, 10
1965
Tibor de Nagy Gallery, New York, NY
Tibor de Nagy Gallery, New York, NY, Shape and Structure
1964
The Hudson River Museum, Yonkers, NY and Bennington College, VT, Eight Young Artists
SELECTED BIBLIOGRAPHY
2008Mac Adam, Alfred. Carl Andre: Paula Cooper. ARTnews January 2008: 122.
2006
Feldman, Paula. about carl andre: critical texts since 1965. London: Ridinghouse, 2006.
2005
Meyer, James. CUTS: Texts 1959-2004 / Carl Andre. Cambridge, MA: MIT Press, 2005.
1000eventi Gallery. DUE: Carl Andre & Melissa Kretschmer. Milan, Italy: 1000eventi, 2005.
Galerie Tschudi. Carl Andre Glarus 1993-2004. Köln, Germany: Galerie Tschudi & Verlag Buchhandlung Walther Konig, 2005.
Kunsthalle Basel. CARL ANDRE BLACKHOLES KUNSTHALLEBASEL. Basel, Switzerland: Kunsthalle Basel, 2005.
2004
Rahtz, Dominic. Literality and Absence of Self in the Work of Carl Andre. Oxford Art Journal 2004: 63-78.
2002
Boettger, Suzaan. Swept Away: Carl Andre’s Grave and Early Earthworks. Sculpture December 2002: 36-41.
Fyfe, Joe. Carl Andre: ‘Poems.’ Paula Cooper Gallery, New York. Art on Paper May/June 2002: 87.
Huber, Gauthier. Carl Andre: Centre d’art contemporain. Art Press February 2002: 70-71.
Lange, Susanne. A conversation with Carl Andre. Bernd and Hilla Becher, Festschrift. Erasmuspreis, 2002.
2001
minimal-concept Zeichenhafte Sparchen im Raum. Berlin, Germany: Akademie der Künste, 2001.
Diehl, Carol. Carl Andre at Whitechapel Gallery and Paula Cooper. Art in America February 2001.
2000
Kutner, Janet. Collector drawn to emerging artists. Dallas Morning News 27 February 2000: 12 C.
1999
Inaba, Jeffrey. Carl Andre’s Same Old Stuff. Assemblage August 1999: 36-61.
1998
Goodman, Jonathan. Carl Andre at Ace. Art in America January 1998.
Reynolds, Jock. The Serial Attitude. Andover, MA: Addison Gallery of American Art, 1998.
1997
Bell, James Boyer. Carl Andre at Ace. Review 15 March 1997.
Gear, Josephine. Carl Andre: Hey! I’m Here. Review 15 March 1997.
Lee, Pamela and Christine Mehring. Drawing is Another Kind of Language. Cambridge, MA: Harvard University Art Museums, 1997.
Schjeldahl, Peter. Far Out, Carl Andre at Ace Gallery. Village Voice 18 March 1997.
Storr, Robert. On the Edge: Contemporary Art from the Dannheiser Collection. New York, NY: Museum of Modern Art, 1997.
1996
Batchelor, David. Carl Andre at Kunstmuseum Wolfsberg. Frieze October 1996.
Beudert, Monique. The Froehlich Foundation: German and American Art from Beuys and Warhol. Stuttgart, Germany: The Froehlich Foundation, 1996.
Hermann, Eva Meyer. Carl Andre Sculptor 1996. Stuttgart, Germany: Octagon, 1996.
Kimmelman, Michael. Carl Andre at Paula Cooper. New York Times 15 November 1996.
Lucie-Smith, Edward. The art of bricklaying. Art Review April 1996: 34-39.
Marlow, Tim. Carl Andre (interview). Tate: The Art Magazine Summer 1996.
Meyer, James. Carl Andre at Kunstmuseum Wolfsburg. ArtForum October 1996.
Miller-Keller, Andrea. The Collection of Julian Pretto. Hartford, CT: The Wadsworth Atheneum, 1996.
Nairne, Andrew. Building a Wall: twenty years on, a look at the controversy surrounding Carl Andre’s Equivalent VII. Frieze March-April 1996.
Rosenthal, Mark. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. New York, NY: The Guggenheim Museum, 1996.
Von Drathen, Doris. Away from Categories: an Alternative View of Tony Smith and Carl Andre. Tate: The Art Magazine Summer 1996.
1995
Anthony d'Offay Gallery, Sculpture Anthony d'Offay Gallery Spring 1995. London, England: Anthony d'Offay Gallery, 1995.
E.G., Carl Andre at Gagosian. Artnews April 1995: 145.
Kraynak, Janet. Carl Andre at Gagosian. Flash Art May/June 1995: 109.
Mollet-Vieville, Ghislaine. Art Minimal & Conceptual. Geneva, Switzerland: Albert Skira, 1995.
Sampson Meyer, James. The Genealogy of Minimalism: Carl Andre, Dan Flavin, Donald Judd, Sol Lewitt and Robert Morris. Michigan: UMI Dissertation Publishing, 1995.
Schwabsky, Barry. Carl Andre at Paula Cooper. Artpress July/August 1995.
Wei, Lilly. Carl Andre at Paula Cooper. Art in America October 1995.
1994
Fineberg, Jonathan. Art Since 1940: Strategies of Being. Englewood Cliffs, NJ: Prentice Hall, 1994.
Paoletti, John and Ruth Fine. From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection. Washington, D.C.: The National Gallery, 1994.
Schwabsky, Barry. Carl Andre at Paula Cooper. Artforum January 1994: 89.
1993
Fischer, Dorothee. Ausstellungen bei Konrad Fischer-Dusseldorf Oktober 1967-1992. Bielefeld, Germany: Edition Marzona, 1993.
1992
Loers, Veit. Shapes and Positions. Klagenfurt, Austria: Ritter Klagenfurt, 1992.
1991
Davenport, Guy. Artists' Sketchbooks. New York, NY: Matthew Marks Gallery, 1991.
Lauter, Rolf. Carl Andre: Extraneous Roots. Denmark: Museum for Moderne Kunst, 1991.
Malle, Loïc. Virginia Dwan: Art Minimal - Art Conceptuel Earthworks. New York, Les Années 60-70, Paris, France: Galerie Montaigne, 1991.
1990
Cuno, James. Minimalism and Post Minimalism: Drawing Distinctions. Hanover, NH: Hood Museum of Art, 1990 (p. 53).
1989
Batchelor, David. 3000 Years. Artscribe Summer, 1989: 62-63.
1988
Kertess, Klaus. Lead. New York, NY: Hirschl & Adler, 1988.
Sandler, Irving. American Art of the 1960's. New York, NY: Harper and Row, 1988.
Szeemann, Harald. Zeitlos. Berlin, Germany: Werkstadt Berlin, 1988.
1987
Ashbery, John. Carl Andre, 1980. Reported Sightings, 1957-1987, ed. David Bergman, 1987.
De Jonge, Piet. Carl Andre. The Hague: Haags Gemeentemuseum, 1987.
1986
Weiermair, Peter. Vom Zeichnen: Aspekte der Zeichnung 1960-1985. Frankfurt, Germany: Frankfurter Kunstverein, 1986.
1985
Block, Renee et al. Carl Andre: Die Milchstrasse Der Frieden von Munster und andere Skulpturen. Berlin, Germany: n.p., 1985.
Waldman, Diane. Transformations in Sculpture: Four Decades of American and European Art. New York, NY: The Guggenheim Museum, 1985.
1984
Joosten, Joop M. 20 years of art collecting: acquisitions Stedelijk museum amsterdam 1963-1984 painting and sculpture. Amsterdam, The Netherlands: Repro. Dept. Stedelijk, 1984.
Miller-Keller, Andrea and John B. Ravenal, From the Collection of Sol Lewitt. New York, NY: Independent Curators Inc., 1984.
1982
Nationalgalerie Staatliche Museen Pressicher Kulturbesitz. Kunst wird Material. Berlin, Germany: Staatliche Museen Preussicher Kulturbesitz, 1982 (22-25).
1981
Slade, Roy. Instruction Drawings from the Collection of Gil and Lila Silverman. Michigan: Cranbrook Academy of Art, 1981.
1980
Baker, Kenneth. Andre in Retrospect. Art in America 48.4, April 1980: 88-94.
1979
Cummings, Paul. Carl Andre (interview). Artists in their Own Words. New York, NY: St. Martin Press, 1979: 173-195.
McShine, Kynaston. Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art. New York, NY: Museum of Modern Art, 1979.
1978
Andre, Carl. Carl Andre: Sculpture Experiences for Children. California: Laguna Gloria Art Museum, 1978.
Crone, Rainer. Numerals 1924-1977. New Haven, CT: Yale University Press, 1978.
Fuller, Peter. Carl Andre on his sculpture. Parts I, II (interview). Art Monthly June 1978.
Masheck, Joseph. Pictures of Art. ArtForum, May 1978: 26-37.
1976
Rose, Bernice. Drawing Now. New York, NY: Museum of Modern Art, 1976.
1975
Gachnang, Johannes. Carl Andre Sculpture 1958-1974. Bern, Switzerland: Kunsthalle Bern, 1975.
Young, Joseph. Serial Prints. Print Collector’s Newsletter, Sep/Oct 1975: 89-93.
1974
Alloway, Lawrence. Ad Reinhardt: Artists as Writers, Part Two: The Realm of Language. ArtForum, April 1974.
Gould, Andrea. Dialogues with Carl Andre. Arts Magazine, May 1974: 27-28.
1973
Andre, Carl. Carl Andre (Quincy Book by Carl Andre). Andover, MA: Addison Gallery of American Art, 1973.
1971
Burback, Bill. Kid Stuff. Buffalo, NY: Albright Knox Gallery, 1971.
Van Beijeren, Geert and Coosje Kapteyn. Sonsbeek 71 (Part 1 and Part 2). Arnheim, Germany: Sonsbeek, 1971.
Von der Osten, Gert. Kunst der Sechziger (5th revised edition). Cologne, Germany: Wallraf Richartz Museum, 1971.
Waldman, Diane and Edward Fry. Guggenheim International Exhibition 1971. New York, NY: The Solomon Guggenheim Foundation, 1971.
1970
Bott, Gerhard and Karl Stroher. Bildnerische Ausdrucksformen 1960-1970. Darmstadt, Germany: Landesmuseum Darmstadt, 1970.
Develing, Enno. Carl Andre: Art as a Social Fact. Artscanada, December 1970: 47-49.
Lippard, Lucy. 955,000. Vancouver, Canada: Vancouver Art Gallery, 1970.
McShine, Kynaston. Information. New York, NY: Museum of Modern Art, 1970.
Siegel, Jeanne. Carl Andre: artworker (interview). Studio International, November 1970: 175-179.
Tuchman, Phyllis. An interview with Carl Andre. Artforum June 1970: 55-61.
Waldman, Diane. Carl Andre. New York, NY: Guggenheim Foundation, 1970.
1969
De Wilde, Edy. Op Losse Schroeven. Amsterdam, The Netherlands: Stedelijk Museum, 1969.
Szeemann, Harald. Live in Your Head. When Attitudes Become Form. Bern, Switzerland: Bern Kunsthalle, 1969.
Tucker, Marcia and James Monte. Anti-Illusion: Procedures/Materials. New York , Whitney, NY, 1969.
1968
Bourdon, David. Minimal Art: A Critical Anthology, ed. Gregory Battcock. New York, NY: E.P. Dutton & Co., 1968: 103-108.
Lippard, Lucy. Minimal Art. The Hague, Netherlands: Haags Gemeentemuseum, 1968.
1967
Tuchman, Maurice, et al. American Sculpture of the Sixties. Los Angeles, CA: LA County Museum, 1967.
1966
McShine, Kynaston. Primary Structures. New York, NY: Jewish Museum, 1966.